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                  <text>Report urges change
TUESDAY, MAY 3, 2005

www.csusm.edu/pride

VOL. XIII NO. 14

Spring
2005
grad
details

Task force outlines areas for improvement in campus policing practices

W hat upcoming
graduates need to know
BY YVONNE BRETT
Pride Staff Writer

University Police vehicles are a regular sight in front of the campus.

BY CHEZARE MILO
Pride Staff Writer
The Task Force on Campus Policing released their "Final Report, First
Combined D raft" on Friday, April 28
to Interim Chief of Police Aaron Woodard and Vice President of Finance and
Administrative Services Neal R. Hoss
for review. The report contains 31 specific and often multi-provisional recommendations for change within police
department as well as other related areas
in the campus community. According to the Task Force's report, Woodard
and Hoss are to, "develop a calendar to
address each of the recommendations,"

Photo by Chezare Milo / The Pride

and create, "a report concerning any
recommendations that will not be acted
upon."
Using the "concept of community
oriented policing" as a model for recommendations to the CSUSM Police,
the report concludes that while community oriented policing, "is a philosophy
that the University Police of Cal State
San Marcos has adopted in its mission,
vision, and values statement," there are,
"many ways in which the University
Police could strengthen how it carries
out community oriented policing in its
general practices, its staffing, its communication strategies and educational
functions."

Recommendations of the report
include implementing diversity and
profiling training for officers, increasing foot patrols of the campus, establishing regular patrol areas for specific
officers, using informal sanctions when
at all possible, increasing community
outreach programs, creating an ongoing
review board for policing practices and
exploring the use of cameras in police
vehicles.
The task force formed in January 2005
with the goal of, * "preparing a report
for the Vice President for Finance and
Administrative Services that would be

Commencement 2005 will be Saturday
May 14 with one ceremony at 9:00 a.m.
and another at 3:00 p.m. at the Del Mar Fair
Grandstands. There will be around 800
people graduating at each ceremony, and
around 10,000-12,000 guests are expected
to attend. The graduation committee has
been busy figuring out all of the logistics
for the day and has formulated some helpful advice to get you through the day as
smoothly as possible.
The first thing to know, before you plan
any sort of celebration, is that the ceremony
will last around 2-2 hours, and you will
not be allowed to leave early. Plan your
lunch or dinner reservations accordingly,
and allow for all the picture taking, hugging
grandmas and traffic.
Graduates must check in one hour before
the ceremony to begin lining up. You have
to say goodbye to your family and friends at
the Plaza de Mexico and check in at the Paddock entrance with your cap and gown.
At the entrance you will receive your name
card and cords if you are graduating with
honors. (There will be a list posted in the
hallway by Registration and Records with
the names of students eligible for honors.)
Seating is not assigned; the faculty will
file in first, followed by the speakers, mas-

See TASK FORCE, page 2

See GRADUATION, page 2

Campus study aids suicide prevention
BY CHRIS KING
Pride Staff Writer
Preliminary findings from a study of
CSUSM freshman students who reside
on campus revealed that, "About one in
five students indicated that either they or
someone they knew seriously considered
suicide or attempted suicide in the last six
months."
The freshman and their parents were
part of a survey conducted by Community
Health Improvement Partners' (CHIP)
designed to ultimately improve current
suicide prevention programs.
According to a CHIP press release, sui-

cide has become a growing concern to the
community because it is the second leading cause of death among younger college students and the suicide rate among
this group has been rising in San Diego
County.
A magnet prepared with information
on how to detect signs and symptoms of
depression and telephone numbers for suicide prevention hotlines was the centerpiece of the study. The magnets were given
to both students and parents. The groups
were surveyed once at the beginning of
the fall 2004 semester and again in spring
2004. The study was meant to determine
the reaction of

students and parents when someone close
to them showed signs or appeared to be at
risk of suicide.
According to the study, over half the students kept the magnet in visible location
(such as a refrigerator); almost 40 per cent
did so "all or most of the time" and over
80 per cent of parents who received the
magnet also kept the magnet visible.
In addition the study showed that students were somewhat more likely, after
having received the magnet, to recognize
the signs and symptoms of depression in
a friend and encourage the friend to call
See STUDY, page 2

What do you
think about your
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�TASK F ORCE, from page 1

E ditorial
Staff

mmm

Writers

Editor-in-Chief
Michael Dolan
Elizabeth Baldwin

Yvonne Brett
JoelleM Frankel
Layout Design&lt;&amp;
Thomas E /
Photo Editor
Gorman HI
Jason Encabo
Heather
Hoffmann
Business Manager
Jennifer Ianni
Brian Reichert
Amira El-Khauoli
News Editor
Patrick B. Long
Chezare Milo
Bryan Mason
Features Editor
Andrea Morales
Christine
Julie Oxford
Baldwin
Matthew
A&amp;E Editor
Schramm
Phoenix
Lindgren
Heather Zeman
Copy Editor
Julie Oxford

Online Editor
Heather Zeraan

Advker
Jenifer Woodring

: AH opj&amp;foas and letters
to the editor, published in The

j^ptesea^ the i i ^ s
a flspi

Unsigned editorials represent
the majority opinion of The

widely shared with the Cal State San Marcos
campus and would look at best practices in
campus policing in the United States." In
addition the task force "was to document current use of best national practices at Cal State
San Marcos, and where appropriate and in
compliance with state law and system policy,
recommend improvements in the existing
policing model." The task force was formed
due to campus community concerns regarding policing practices in the wake of the arrest
of student Jason Williams.
The 11 member panel consists of Chair
Terry Allison, Associate Vice President of
Human Relations &amp; Campus Enterprises
Linda Leiter, Director of Student and Residential Life Bridget Blanshan, Academic
Senate Executive Committee member and
Professor of Sociology Valerie Callanan, Faculty subject expert and Professor of Sociology Edwardo Portillos, staff member Charles
Guthrie, student and ASI Childcare Representative Edith Zarza, student and ASI College of Arts and Sciences Representative
Sarah C. Leonard, community member Tim
Dong, CSU Fullerton Chief of Police Judi
King, and Interim Chief of CSUSM Police
Aaron Woodard.
"Overall I think that funding (for the recommendations) is going to be an issue," said
Leonard, "I hope that they (Woodard and
Hoss) look at this as top priority."
She said she felt that the creatjon of an
ongoing review board for policing practices
on campus was the single most important recommendation contained in the report.
"(An) ongoing review board will be one of
the things that makes sure recommendations
are implemented," said Leonard
Woodard said he did not want to comment

STUDY, from page 1

should include an address,
number, e-mail
l l^ur 1 1 1
11
^^ixïêt^éï
and identification. Letters
m ay fe« &lt;H}tfe ç :
and length. Letters should
telephone

|1S§m

be under M% wwê$ and submitted:&gt;miâu electronic mail
to pride@csusm.edu, rather
than the individual editors. It
is the policy of The Pride not t o
Display
and
classified advertising in The Pride
should not be construed m the
endorsement or investigation of
commercial enterprises or ventures. The Pride reserves the
right to reject any advertising.
The Pride is published
weekly on Tuesdays during the
academic year. Distribution
includes all of CSUSM campus,
local eateries and other San
Marcos community establishments.

The Pride
Cal State San Marcos |
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Phone: (760) 750-6099 |
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CSUSM counseling services or
another 24-hour crisis line.
"CHIP'S Suicide Prevention
Committee wanted to develop a
simple strategy or tool that would
help raise awareness and prevent
suicide among college students,"
said CHIP committee member
and Scripps Mercy Hospital
trauma nurse Beth Sise.
Sise said that the idea developed from an editorial in Newsweek. The author, a mother
who lost her own son to suicide,
thought that a magnet, similar to
the one used in the study, could
GRADUATION, from page 1
ters' candidates, teacher candidates, and finally those receiving
bachelor's degrees. If you want
to sit next to your friends, make
sure you line up single file in the
same line. If you stand in a different line you will be separated
when the two lines split entering
the seating area.
Graduates may bring a small
bottle of water and a camera,
but need to leave anything bulky
behind. Cell phones must be
turned off once the ceremony
starts.
Guests will be seated on the
second, third and fourth levels
of the grandstand. There is
handicap access on all levels
and plenty of seating. All seats
will have a great View of the big
screen on the track and all seats
are shaded, so hats and sunscreen
are not necessary. Refreshments
and leis will also be available for
purchase.
That brings us to graduation
etiquette. Graduates are being
asked to please leave inflatables

Photo by Chezare Milo / The Pride

Changes in policing practices are unlikely to mean less regular patrol interactions with University
Police such as the questioning of Mike Rostami in front of the Dome on May 2. Rostami later
said he was asked to leave campus and threatened with arrest. Touting a handful of forms, he
said he was on campus to get information about the requirements for the Visual and Performing
Arts (VPA) program. Rostami said that the police told him he, "looked suspicious" and that
someone reported him digging through the trash (which is illegal in San Marcos). He produced
a Volkswagen throttle body that he said he found sitting on top of a recycling bin, arid guessed
that this was the reason for someone reporting him to police. Rostami promptly left campus.

about specific recommendations contained
in the report until he and Hoss had time for
review, and the Policing Task Force Report
was finalized.

help prevent suicides.
"The causes of depression are
complex," said Sise. "Depression
is often the result of a combination of inherited, personal-psychological, and environmental
factors. And at times depression
occurs for no apparent reason.
But whatever the cause, depression is nearly always treatable."
In college, stress arising from
the environment can play a part
in the development of a depressive episode. Common sources
of stress in the life of college
students,
especially
freshman, include: greater academic
demands, being on one's own in
and air horns at home. Wasn't
that a high school thing? If you
show up and have been "celebrating" early, you will be asked to
leave.
After the ceremony the graduates will be excused row by row
in a formal recessional, and will
have the opportunity to accept
congratulations from the faculty
who will line up in the Paddock
area.
The best piece of advice, from a
former graduate, is to prearrange
where you are going to meet your
family and friends after the ceremony. Do not choose the Paddock area because it will be very
crowded.
If you need help choosing a
spot, look on the Commencement
2005 link on the CSUSM home
page, where you will find a nice
aerial photo, maps to Del Mar and
lots of other helpful information.
The web address is: http://www.
c susm.edu/enroll/commencementhtm. If you have any questions you may direct them to the
committee at: grad2005@csusm.
edu.

Additional information about the the Task
Force on Campus Policing is located at: http://
www.csusm.edu/fas/Task/TàskForce.htm

a new place, perhaps for the first we use them as door stops," said
time, new friends and social cir- freshman John Rolfo.
When asked if he knew of
cles; exposure to new ideas and
temptations, and other pressures anyone who used the magnets
for their intended purpose Rolfo
for change.
The study evolved through the said, "Personally, no I don't, but
collaboration of CHIP'S suicide we decorated our fridge with
committee, a collection of local them. I know people see them."
Additional information about
health organizations, universities
and other agencies of San Diego the study can be found at: http://
County.
CHIP also worked w ww.sdchip.org/pdfs/SDSuiclosely with outside contributors cideReport.pdf.
including the Light for Life FounMore information about suidation of Southern California and cide prevention is available at:
the Yellow Ribbon Prevention www.yellowribbonsd.org.
Program.
"I heard of the study, I think
the magnets are bloody fantastic,

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�Evaluating your professors

CLASSIFIEDS

CSUSM takes student feedback seriously
BY JENNIFER IANNI
Pride Staff Writer
A fter spending hours reading,
taking notes, researching, writing
papers and mentally evaluating
every aspect of a course/students
are finally given the opportunity,
through the Student Evaluation
of Course Instruction forms, to
let teachers and administrators
know exactly what they think.
The forms allow students
to anonymously evaluate the
instructor and the course on different scales, ranging from how
enthusiastic the instructor was to
how prepared they were in class.
It's an opportunity for students
to have their voices heard and to
offer advicp and critique to help
teachers in f uture courses. The
evaluation form consists of a
series of questions compiled by
the Faculty A ffairs Committee.
There are different types of evaluation forms for different types
of instructors, but all the forms
were designed in order to get
the most appropriate feedback
f rom students regarding course
instructors.
One of the most important
things about the Student Evaluation of Course Instruction
forms is the way in which they

are distributed. The procedure
is designed to give students f ull
anonymity so that they are completely candid in their evaluations.
The course instructor is asked to
leave the room and two student
volunteers read the instructions
and distribute the evaluations to
the class.
"The process that's outlined
on the front of that envelope is
really important for the students
to follow," said Associate Dean
of the College of Education Dr.
Peggy Kelly. "Some students, in
their zeal, they may really love a
professor, hand it to the professor, which invalidates it. It has to
come from the students to Institutional Research, not pass through
a faculty member's hands."
This process guarantees that
there is no opportunity for a
professor to see or change the
evaluations before they reach
Institutional Research. Students
are usually given 15 minutes at
the end of class to complete the
forms and place them in a manila
envelope. A fter the forms are
completed, they are taken to
Institutional Research and copies
are then sent to the appropriate
departments.
"Faculty are not allowed to
see any of the evaluation forms

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Sav-on Center
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before grades are posted," said
Kelly. "That's for the student's
protection in the event that some
students feel like there might
be retribution because of a poor
evaluation. This is to avoid any
of that sort of conflict."
If a student writes something
accusatory on the evaluation
form, certain steps are taken by
the administration.
"When you're talking about
student evaluations, a comment
by one student is not significant
enough," said Kelly. There needs
to be more data because it's not
uncommon for a student to feel
that they're getting a bad grade
in class, therefore, they try to get
back at the teacher "
In this case, more data would
include specific dates, times and
reactions to inappropriate classroom behavior, as well as more
than one student making the
claim.
"There is a cause for concern
when it's more than one student and it's very specific about
what the issues are," said Kelly.
"The more specific a student can
be about what the incidence or
behavior was, the more administrators have to work with. When
that's corroborated by others in
the classroom, we have a conver-

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sation about it."
In the end, it's important to
know that the evaluation forms
do make a difference. They can
play a vital part in an instructor's
academic career. If an instructor is going through the retention,
tenure and promotion process,
student evaluations are used to
measure whether they have
addressed certain problem areas
in their teaching and improved
upon them. Getting student feedback can only improve the quality of courses and instructors at
CSUSM.
"We want to know the students
opinion on how the courses were
from their perspectives. The
faculty members have their perspectives and have put their best
efforts into the course, but were
they successful?" said Kelly. "If
it weren't for the students, why
would we be here?"
One student remarked about
the student evaluation process.
"When I fill out the forms, I
do try to fill them out honestly,"
said Randie Chance, a sophomore psychology major. "I think
good teachers care what students
think about their classes and their
teaching styles."

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Karl Delemios Peralta
Laura Elizabeth Perez
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�GRADUATES

Tuesday, May 3, 2005
Edith Zarza

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MASTER OF ARTS
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Carmen Robinson

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IN LITERATURE
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Shawhan

Crystal Lorraine

Juan Jose Silva
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MASTER OF ARTS

Kathy Anne Belanger

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Michelle Cartas
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MASTER OF ARTS
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EMAIL: pride@csusm.edu

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Tuesday, May 3, 2005
Terra-Dawn Mauser
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Lonnie Mc Bride
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Christine Stephens
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Monsanette Stewart
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Mark Story
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THE PRIDE

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�Summer travel for the
financially challenged
BY HEATHER H OFFMANN
Pride Staff Writer
It's been a rough semester.
If you're looking to get away
f rom it all and travel, but money
is tight, don't worry there are
plenty of ways to travel cheaply.
Here are a few ideas:
First, if you're a student, there
are places that specialize in cheap
student travel, such as www.statravel.com. You may have seen
this travel company on "The Real
World," this is a cool company
because they specialize in getting
students great deals. Their website is very user friendly - you
can plan your whole trip there and
even come up with better ideas
than you started with. They have
information on places to stay, as
well as transportation once you
get there.
Some of the current roundtrip deals featured include Los
Angeles t o Costa Rica for $208,
Los Angeles to London f or $328,
and San Diego to New York for
$268.
Take advantage of student
travel deals while you can, you
have the rest of your life t o work.
Second, if you're searching for
cheap airfares, t ry the airlines'
websites. O ften they have better
deals then elsewhere. Right now
on Hawaiian Airlines website

(www.hawaiianairlines.com) you
can fly Los Angeles to Hawaii
for $358 round-trip if you travel
before June 9, 2005. Airlines
frequently o ffer better deals than
other travel websites because
they want you to book your flight
directly.
Southwest Airlines (www.
southwestairlnes.com)
o ffers
summer rates as low as $49 oneway. Southwest comes out with
Internet specials every Tuesday
that will keep you flying cheap.
Jet Blue (www.jetblue.com) is
another airline that frequently
o ffers low fares.
Currently
they're o ffering $39 one-way
tickets f rom Long Beach to Las
Vegas. With the high cost of gas
it might actually save you money
to drive to Long Beach and then
fly to Vegas. Jet Blue doesn't fly
everywhere, but it is definitely
worth checking out.
Third, b e flexible. If you are
flexible on your travel dates you
can find good deals, you j ust have
to look for them. If you can travel
during the week, do it. You're
going to save on a irfare and hotel
rooms during the week.
Fourth, take a drive. If flying
isn't your thing, take a road trip.
Road trips are awesome and can
be where you make some of the
best memories with your f riends.
The price of gas is high right now,

but if you can get your buddies t o
chip in, a road t rip is a great idea
for a cheap summer trip. Find
something you like - baseball
for example - and go watch your
team play in another city. You
will have more f un exploring a
new city i f you're doing something you enjoy.
F ifth, get lost. We are lucky
enough to live in an amazing
city that is close to the beach,
the mountains, and the desert.
Have a vacation close to home.
You don't have t o travel f ar to
have an amazing trip. If you're
looking to get away, book a hotel

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Photos courtesy of
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The Pride

(Above)
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�Students get you more for your used books
B uying a nd selling t extbooks j ust got easier
BY JOELLE M. F RANKEL

Pride Staff Writer
Biology b ook $85, Spanish
b ook $76, A merican Literature
Anthology $ 90.. not h aying t o get
chump change f or buy b acks...
priceless. T here are some b ooks
you want t o hold on to f orever...
f or e verything else t here's www.
whosegotthebook.com.
CSUSM students M att Cook
and K ris Maxey got t ired of
overpaying f or their text b ooks
and getting only a s mall f raction of what they paid f or t hem
in r eturn. But they d idn't sit on
t heir l azy r ear e nds like the rest
of u s — they did something about
i t — they created a website f or
CSUSM students t o list and sell
t heir b ooks online.
T here a re a lot of national websites that students could u se t o
sell and t rade b ooks, but b etween
shipping f ees and not k nowing
t he p erson you a re getting t he
b ook f rom, it b ecomes a complicated process.
" With a lot of t he national sites,
y ou're sending y our b ooks all t he
w ay to. N ew York, w hereas t his
one, you c an meet somebody at
y our s chool...in t he dome or the
library," said Cook.
To u se t he website, students
need only log in and post t he
i nformation about their book.

Website creators Matt Cook and Kris Maxey.

"You put the name of the
b ook.. .the a uthor... and how
much you are asking f or the
book, so it can t urn into a little
bit of a competition between students...you might see the same
book posted at five d ifferent
prices, «and you can choose which
one you prefer," said Cook.
W hen a student posts the information about the book they want
to sell, it is temporarily held in
a database. Then the student
receives an email with Cook and

Maxey's contact information.
"You can either send payment
[by mail] or you can tell u s and
we can meet you somewhere...
One of the things w e're hoping
for is that as [the website] develops, you can pay online and (your
posting) can go u p right away, but
that w asn't really possible for u s
f rom the start," said Cook.
The cost of using the website
is $3 per book posting and the
book stays listed until it sells or
the student wishes to remove it

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website. It's easily accessible.
If you can go online and register
for your classes, you can post a
book on the website. Little kids
could u se it. It's very simple,"
said Maxey.
What will the bookstore t hink
of www.whosegothebook.com?
" They a ren't gonna like it.
T hey're not gonna like it one
bit, because t hey're basically a
monopoly, so why would they
want another business to i nfringe
on their monopoly?" said Maxey.
But i nfringing on bookstore
monopoly is exactly what Cook
and Maxey hope t o do—with student help that is.
" Go ahead and t ry our web site.
I t's very small, but you have the
potential to make a lot more on
the r eturn of your book rather
than going to the bookstore and
Photo by J oelle M . Frankel / The Pride
getting less than 30 percent of
f rom the site. The $3 charge isn't what you paid for it, which is
plumping u p the pockets of Cook ridiculous," said Maxey.
W hen its time to sell back
and Maxey.
"Right now, all of the money your books this semester, check
we're making is going back into out www.whosegotthebook.com.
the company. . .to make it work," They j ust might save you a buck
or two.
said Maxey.
These student-entrepreneurs
are certainly working f rom a
modest b eginning considering
that right now only f our students
are using the website, but they are
h opeful for the f uture and proud
of their creation. " It's a great

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�Eating live for 2005
H ealthy e ating f or a b etter m ind a nd b ody
the purpose of enzymes, and the you have ever been taught," said
value of getting sufficient exer- Clement, so he advised, "Don't
try to become a nun, or a monk
cise, sleep, and hydration.
According to the Institute's or a saint overnight," instead,
When Demi Moore appeared
in "Charlie's Angels Full Throt- website, "The Hippocrates phi- he encouraged people to be as
tle," the 40-year-old bombshell losophy is dedicated to the belief healthy as they could without
appeared in a teeny bikini along- that a pure enzyme-rich diet, becoming fanatics about it.
One of Clement's strongest
side much younger actresses. complemented by positive thinkNow Moore can be seen walk- ing and non-invasive therapies, messages, was to, "Get a spiritual
ing the red carpet with baby-boy- are essential elements on the path life.. .get something in your head
friend Ashton Kutcher. How does to optimum health." Although to make you humble and make
she maintain that picture perfect Clement stressed the impor- you realize that you are part of a
Hollywood body and still have tance of being healthy, he equally bigger system.. .you need to find
praised the powers of positive a reason to live."
enough energy for Mr. Punk'd?
The evening was inspirational,
"Being healthy is
Moore swears by her all raw thinking.
boring.. .be happy" said Clement, and spectators left the talk feelfood dipt, consisting of raw
(uncooked) fruits, vegetables, "and the only way to be happy is ing excited about embracing a
and sprouted nuts and seeds. to be fulfilled...you have to live new, healthier way of living.
"More living foods, no sugar,
This last Week, the guru of raw your passion."
Clement discussed that for more sea weeds, more sprout
foods, Mr. Brian Clement came
to San Diego and spoke regard- many people, especially Ameri- juice," were some of the changes
cans, food has a strong emotional that Kristina Benavidez, a Long
ing the benefits of living raw.
On April 27, Clement, author element. We associate our food Beach resident planned on
of "Living Foods for Optimum with our mother's love and social making.
"You've got to do something
Health" lectured at Kung Food, gatherings. "This (raw food)
is a departure from everything that you like, that makes you
a vegetarian restaurant in San
Diego. Clement has been a leader
in natural health and healing for
over 25 years and is the director
of the Hippocrates Health Institute in West Palm Beach, FlorCOLLEGE INCOME - COLLEGE INCOME
ida.
COLLEGE INCOME - COLLEGE INCOME
Over 50 California residents
Good pay,flex,sched's. Customer
came to hear Clement speak on
Sales/service. Will train. All
the quaint outdoor patio of Kung
Food. Among many things,
Ages 18+, conditions apply. (760)942-1223
Clement discussed the science
behind an all raw diet, the importance of eating oxygen-rich foods,

BY JOELLE M. FRANKEL
Pride Staff Writer

Photos c ourtesy of
w ww.rawpassion. com and
w ww.julianessamphotography.com

happy, and you have to make
not just a shift in diet, but a shift
in consciousness," said Robert
Yarosh, a San Diegtf resident.
Students interested in checking out the benefits of living raw
should visit the Hippocrates website at http://www.hippocratesinst.com/, or http.V/www.livingfoods.com/.

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�Three convenient locations
9 M H N I University Store # '111111
May 2 - 7 • Store Hours
/Founder's Plaza
May 9 - 1 2 • 8 am - 7 pm
University Hall
May 9 — 12 • 10 am — 3 pm

UNIVERSITY

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Positions available: Front Office Manager, Public Area
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VPA

music
showcase
scheduled

iiiiigat:ti30;p.in,,Twsaay, ......
........
.,.../-... . .. . . . .. ....
May ^ in Ârtë Büiding, Room 111
'

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&gt; i. -, - V - . j f i t - - . « ' .

.

Megan Felkins works on her
digital composition.

BY CHRISTINE BALDWIN
Pride Staff Writer

CASH FOR BOOKS
Sell your textbooks year-round at

Off-Campus Books
4 Miles from CSUSM
1450 West Mission Road
San Marços, CA 92069
(760)598-BOOK(2665)

This Friday, May 6, come and
experience a truly unique visual
and digital music festival. It's
free to all and food will be provided. The event will be hosted
by the Music 302 (music; and
computers) class. The festival is
the final project for the students
who will have the opportunity to
share the digital music that they
have created, accompanied by a
visual element.
"As a class, we have worked
hard to create musical pieces
using the computer. A lot of
time and effort went into creating our pieces and each piece is
unique," said Cayla Hauck, a student who will be presenting her
digital music. So, if you are looking for somewhere to take a special someone to hear some truly
unique music, the event will be
held at 8:00 p.m. in Arts 111.

^-m

Student 1
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màÄÄ^^&amp;ÄlM^
I ^ ^ I ^ M ^ ' Ö i a r i d Friday,. May 13,
Arts 111

••'•••

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�Think you can do better? So did I
BY PHOENIX LINDGREN
Pride Staff Writer
One year ago I was much like
you, reading the last issue of The
Pride and thinking, ' I could do
better.'
So I added that hideous 5 p.m.
to 10 p.m. Tuesday section to my
class schedule, and showed up
all fresh-faced and eager in the
fall, certain that I would b e The
Pride's tipping point - the one
person they needed to take the
paper from flawed to fabulous.
Thank God the writers and editors from Spring ' 04 had already
put together most of the material
for the "Welcome B ack" issue,
because as soon as Co-editorsin-chief Elizabeth Baldwin and
Mike Dolan began trying to make
story assignments I was lost in a
sea of inverted pyramids, compelling ledes, and the t errifying
realization that if I interviewed
someone for a news or features
story I would have to actually
quote them. Accurately.
I learned quickly that the place
for someone with no news writing
experience is Opinions — where
the asshole analogy lives on quite
comfortably - and thus I began
to make my mark (and reputation
- be that as it may) on The Pride.
I also volunteered to act as Copy
Editor and spent my Monday
afternoons trying desperately to
ferret out those insidious typos,
punctuation, and grammatical
errors that plague every writer
of English, and seem particularly
unique to those MLA aficionados (reborn as Pride journalists)
who find themselves having to
apply the 'and now for some-

thing completely d ifferent' A P
style - where dashes are to have
a space placed fore and a ft, and
titles are always placed in quotations - never underlined - among
others. (Editor Lesson One: no
matter how many times anyone
reads through the paper before it
goes to the printer, there will be
mistakes.)
I eventually learned how to
conduct an interview and take
accurate quotes (the secret is
in the sound bite - it works for
print as well as TV), what the
hell a compelling lede is, and the
secret of the mysterious inverted
pyramid (put the important stuff
up front, j ust in case your editor
needs to lob o ff the end of your
story to make it fit the "news
hole" - another of those charming journalist jargon bits.) I
wrote stories and opinions I was
proud of, and cleaned up the copy
as much as was humanly possible, but I knew I could do more to
improve The Pride.
This spring I took the leap f rom
Staff Writer and Copy Editor to
A rts &amp; Entertainment Editor.
Finally The Pride would give priority to more of the artsy-fartsy
stuff that happens on and around
our campus and less to the blockbuster entertainment that hardly
needs another marketing boost
f rom the puny Pride (see how far
my vision has fallen on pages 1720.) Huge props to Yvonne Brett
and Zachary J. Simon who covered a lot of those types of events,
but as we got f urther into the
semester even they began to feel
the need to explore other types
of writing. (Editor Lesson Two:
Pride writers write what they

Black and Tan, it's
not lust a drink
BY PATRICK B. LONG
Pride Staff Writer
A troubling comment f rom
March has had me thinking
about the mistaken idea behind
the drink "Black and Tan." It is
has troubled me for some time
and taking the time, j ust weeks
before my trip to Ireland for the
summer, to set the story straight.
During one of my sessions of
eavesdropping j ust before St. Patrick's Day, I heard a young student commenting on his recent
sampling of a beer concoction
called "Black and Tan."
For some, taking the delicious
stout Guinness and mixing it
with any lighter beer is considered "Black and Tan." This is not
the case.
Why would I be concerned
with this drink? Well, it has a
dark history that many bartenders and patrons may not know
about.
"Black and Tan" beer alludes
to a faction of under trained and
violent English police occupying Ireland. Their u niforms were

thrown together and consisted
of dark tunics and tan pants,
giving the nickname "Black and
Tans." There violent occupation attempted to stop the Irish
Republican Army (I.R.A.) and
the freedom of Ireland.
Their
bloody
occupation
included killing a dozen spectators at a football match during the
Bloody Sunday in 1920.
The drink is originated in
Ireland, of course, and must be
combined with Bass Ale. The
misconception is that it is mixed
with Harp, another beer by Guinness. Simply, Guinness is Irish
and Bass is English, when mixed
Guinness is on top.
Two forms of thought are concerned with the mixing of these
beers. One theory states that
since the Irish beer is on top and
suppressing the English, it is a
good thing.
Second, the beer should not be
mixed with any beer f rom England and it should be enjoyed
unadulterated. For me, this is the
best route to go.

Photo courtesy of Phoenix Lindgren / The Pride

want, not what you want.)
The Pride generally consists
of about twenty staff writers maybe half of those consistently
submit stories on a weekly basis.
The editorial staff has learned
that the easiest... no, most efficient... no, likeliest way of getting writers to submit by deadline is to get them to write what
they're interested in writing.
Being part of The Pride staff is
a kind of weird quasi-job-that'sreally-a-class, where you have
the A students who work really
hard (the ones you'd promote to
the good staff writer positions
if this were a real job) and the D
students who slack off all semester and then stuff your email box
last minute with stories for points
to try and pass the class (the ones
who'd be fired for missed deadlines if this were a real job.)
As much as I have come to love

my writers who have struggled to
take their writing to the next level
over the course of the semester (you know who you are), the
camaraderie with the other editors has been the highlight of
the job; nothing brings people
together like having to show up on
campus for meetings at all hours
of the night and weekends, with
the common vision of making
The Pride something better than
it was the week before.
Which brings me back to the
original reason for writing this
piece: there is not a single one of
you or us who will ever be The
Pride's tipping point. The Pride
is a team effort. The only way
it will get better is when enough
of you lay down your critic's pen
and pick up a staff writer's or editor's pen.
This has been an extraordinary
year for The Pride: Liz and Mike

have developed a dedicated staff,
most of who will not be here next
semester. If The Pride was a
traditional publication, it would
have the benefit of staffers who
spend years developing it into
an award-winner. But The Pride
has to rely on students showing
up every semester who are willing to put in the hours necessary
each week (lots and lots of hours)
to put something worth reading in those newsstands around
campus.
So
no
more
mewling
and puking!
Add section
41261(COMM) or 42078 (LTWR)
to your fall schedule and let's see
what you can do to improve The
Pride.
And in the meantime, I 'll go
back to kidding myself that ' I
could do better.'

Hello operator...
The argument has been given that perhaps 911
should be kept for an immediate crisis, whereas
the operator should be used for things that aren't
Whatever happened to the good old days?
as critical.
When gas cost less than two dollars a gallon,
Well if it's not critical, and the operator was
and going on a date to the movies didn't mean that used as the service was originally intended, then
you spent a day's worth of wages on two tickets, the operator would be able to connect you with
popcorn, and a drink.
the nearest police department, or whatever else
When dialing zero to get the operator was actu- you need.
ally helpful.
And if it's not crucial enough to call 911 then it
Does anyone even remember why the operator wouldn't be so bad to wait a minute as the person
was there in the first place anymore?
who called before you get connected to Pizza
Back in the day, no one dialed any numbers. Hut.
You picked up the phone and asked the operator
When did the powers that be decide that this
to connect you. So what happened? The operator was no longer an important service to offer f ree
is completely useless now.
of charge?
Ask an operator to look up a number, look up
Who knows? I can still pop in my "Hackers"
the location of a business, or connect you, and you DVD and watch a character dial the operator
are in for a rude awakening. They don't do that and say, "Operator, I 'm having trouble dialing a
anymore.
number." And, novel concept, she connects him.
The official response when you ask an operator
Obviously there's still a need/want for the serto do anything is, "You need to call 411 for that." vice. Otherwise, 411 would have never been creExcuse me?
ated.
You have to pay for 411. And I 'm sorry, but j ust
Anything f ree is okay by me so private compabecause my lazy ass does not want to get up and nies started sponsoring their own similar service.
look it up in the phone book does not mean I 'm But you have to listen to advertisements so that
willing to pay for that service either.
the program can be funded.
I 'm cheap, too.
Hey, I don't mind. Give me f ree any day. I
So what does the operator do these days? I had already pay an arm-and-a-leg for my cell phone
to ask one the next time I called.
bill. I don't need to lose fingers and toes as well
Apparently, you're only supposed to call them j ust so I can utilize 411.
with an emergency.
1-800-SAN DIEGO here I come. (Yes, I know
Hmmm. Last I checked that's what 911 is for. that's too many letters. It's alright I promise.) Just
Most phones that have a zero button also have the call. It works. And best of all, it's free.
ability to dial nine and one also.
BY AMIRA EL-KHAOULI
Pride Staff Writer

�OPINION

Tuesday, May 3, 2005

VJl

1 IN

1 V J 1 &gt;1

T HE P RIDE

ipipi^^pi
¿Jgr

Well, the semester is almost over. Finals are coming next week, and as soon as those arefinished,graduation for those who have made the ctit.
As$uch,tiris isthelast edition of I liel^eftMrilusseiiie^
I
ThePride would like to use this space to reflect on the semester.
'."-¡.V
. • 'V'
I
p ipS
MB

in

Some of you know me, most of you don't, but if you're reading this yon probably are familiar with my work. I have had the privilege of
ibr the past y eaiì I&gt;uring my time on
paper Ihave seen it growfl^miugular
page blaékaró
f i white issues to regular sixteà^plm
issues in mlm&gt; There have been some memorable eventson this eampustn the last year and I hope
past issues of the Pride will seree W a record of evènto for the future cmnpm mmmmt^f This paper hàs attimescaused controversy and
been subject to estensive criticismfiomstorne students and iksilty as well as our ombudsman Jason Nichols. I would like to thank all those
mistakes. I would also like to thank all those who brought news stories to the attention of the Pride and helped us better inform our school
Thanks to our advisor Jenifer Woodrkg for being à voice of reason to the Pride editors and staff* and for helping us make a better paper, I owe
an extreme debt of gratitude to our editoi^iu-chief Michael Dolan, who taught me how to be an editor and write better news while not letting
the pressures of the job get to me too much. Thanks to Jason Nichols* who wasn't afraid to call me and others out and who wasopen-minded j
enough to discuss Ms opinions and listen to mine, Jason Encabo, I owe you so much for putting up with my %h for two semesters and always |
managing to make my section and the paper as a whole look outstanding. Thanks to Phoenix, Chrissy, Eric and therestof the staff who made j
my time with the Pride seem more like funand less like work. To whoever takes my job next semester, goodluck, and plan to spend alot more
time than you think working on making this paper live up to its name. Peace,
,;
; &gt; V:
\
Hi, My n róe is Jason. I am the layout design editor for The Pride. I have had a lot of good times working on this paper and have made ! some great friends; I hope that I have in some-way-shape~or-form made this paper look better thanlt did the week previous, and hópefiilly
you readers have enjoyed my tireless attempts to make The Pride overall more visually pleasing. Thanks to all of you whò have made this
experience a blast. And Pm out Peace.
^
.,
"
\
:

:

Corrections: Vol. XIII, No. 12
In the article "Library helps withfinalscrunch," the hours for the end of the semester were misidentified.
The extended hours are:
May 3 8:00 am -10:00 pm
May 4 8:00 am - 10:00 pm
May 5 8:00 am - 10:00 pm

Tuesday
Wednesday
Thursday

For more information about the library's hours forfinalsweek, go to this library website http://library.csusm.edu/about/hours.asp

&amp;

hrruMk

6-TUP^^its
Comic by Jared Peterson

Comic by Andrea Morales

�Jason Williams rocks Anaheim's House of Blues:

run-ins with the police fuel his lyrics

BY CHRIS KING
Pride Staff Writer
Honestly, CSUSM's own Jason
Williams has c rafted an album
with such realism and introspection that it - without question
- could rival any decent mainstream MUSIC - and not j ust
hip-hop.
Williams was known only by
his child-given moniker, Elm
Street, on Sunday May 1 when
he was center-stage at Anaheim's
House of Blues, With the poetic
interpolation of former CSUSM
student Anthony Blackshir, a /k/
a Ant Black, Elm passionately
swept the crowd with sledgehammer-like delivery through arguably the best tracks on his album
titled "Tha Hurdlez." It was evident that fiis riveting truths acted
as a beacon for the connecting
audience. Hands were above
heads in motion, and people
roared with every rhyme. Elm's
live performance was an explosive treat.
"We shut em' down," said Williams. "People were telling me
that they haven't seen someone
move the crowd like that in a long
time."
Hands down, the CD is great,
but, as it is supposed to be, it
can't touch the raw quality of a
live performance. Once the MC

made his way offstage, he was
flooded with compliments, hugs,
and handshakes f rom a variety of
fens.
The album chronicles times
good and bad, experiences with
women, a dab of sex-life, and
most importantly, the primary
message: stand up and do something about the daily hardships
and struggles of African-Americans and-minorities in modern
America.
From start to finish, Elm puts
you on an emotional roller coaster
evoking smiles, deep thought,
angst, and plenty of anger. Make
no assumptions. Elm is neither
tetchy about oppression of the
past or simply pointing his finger
at White America here, but
rather, presents inequities that he
has felt as an African-American
man headed^ in a positive direction. On one exceptional track
"This Is Me," Elm spits raspy fire
in a verse to make people aware
of his harassment f rom crooked
police while attending a community college in Riverside. Out he
raps: "Po Po (police) run up on me
point their gats, screaming freeze
while I 'm facing their straps, one
false move a nTll viciously react,
I hate cops but not cause of the
that, let me freeze time, allow me
to take you back, I was walking
home, pigs say boy what's going

Z ERO C L O S I N G C O S T S
p,p

— -'

on, asked to see my ID, I act like
Ice-Cube. no let me see yours,
wrong move he opened the door
start swinging like M ike..."
"Being a Black man in America is a struggle everyday" said

Williams, "I want to be the next
Malcolm X and I want to set a
p'ositive example for black people,
especially young kids who are up
and coming."
Surprisingly, the
album's

Y O U W A N T ONE H OME.

soundscape is pretty nice considering a limited budget and the
fact the he worked five jobs and
attended school full-time while
putting this piece together. Elm's
changing lyrical tone throughout
the album brilliantly meshes with
his clever metaphors and humor.
His beats are h is very own west
coast sound better known as
"Thunder Funk." The tracks
range from smooth with "Circles" to head-banging rugged
with "Westcoast Slide."
"I call it thunder f unk because
it's just thunderous.. .its j ust Riverside's very own sound," said
Williams
It is clear why he kept the unchosen name that he hated as a
boy, Elm Street. Williams got
this name because of his Attention Deficit Hyperactivity Disorder (ADHD) and Freddy
Krueger-like behavior when in
school. Last semester, a r un i n
with police cost him graduation
and a track scholarship f rom
which he depended on financially. Elm Street is fitting for all
the dark times Williams has had
throughout his life.
Get the album. It's pure talent
and it is real as it comes.
Williams sells copies of
his album and can be contacted at: 909-816-3448 or
willil86@csusm.edu.

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�"From r r u m D V t O r O X V in 15 minutes flat"
BY JOELLE M. F RANKEL
Pride Staff Writer
Morning Ritual: wake u p and
stare at your clothes as they stare
back at you, r ummage through
your make-up, put on the same
drab colors day a fter day, attempt
to accessorize but fail miserably,
and walk out
the door feeling f rumpy and
frazzled. Does
this sound like
you?
Women
onthe-go
today
simply
don't
have time to
worry
about
fashion, but p resenting an image of success can
mean the d ifference between getting that post-graduation j ob, and
spending one more month living
in your p arents' house, feeling like a professional mooch.
"Frumpy t o Foxy i n 15 Minutes
F lat" could b e t he answer to all of
your fashion woes.
" So many f riends and females
in my life have a hard time getting ready in the morning, or
whenever it may be, and so many
of u s have such limited time, and
I figured, ' I can get ready p retty

quickly and I can time manage
really well, and I don't let my getting ready time interfere with my
day.' I know that there's a way
to help other people cut down on
their getting ready t ime" said coauthor Elycia Rubin regarding
her inspiration for the book.
"Frumpy to Foxy in 15 M inutes F lat" is a woman's handbook
for every occasion. The book
is organized into
h elpful categories
so that you can flip
t o the desired section when you are
in the middle of
a m orning f ashion crisis. It also
caters t o all b ody
t ypes; whether you
are tall, short, t hin,
or curvy, it p rovides u seful insights about how
t o dress t o b ring out your personal best, and how t o m inimize
your makeup routine.
The authors b ehind this foxy
handbook are Elycia Rubin and
Rita M auceri: Rubin is a television p rogramming executive, the
contributing editor f or several
magazines, and t he f ormer fashion director f or E! Entertainment
Television.
Mauceri is also a television
executive who has worked for t he
Discovery Channel, TLC, Travel

'We figured that guys
would thank us. They
wouldn't have to wait
around for their girlfriends to get ready all
daylong"

rmmmm

Elicia Rubin
I mages c ourtesy of W orkhouse
P ublishing

Channel, E !, and h as b een nominated f or t wo E mmy Awards.
Rubin and Mauceri have b een
f riends f or over 10 years, so it
seemed only a n atural progression that with their 20 plus years
combined experience in f ashion, that they share some of their
knowledge with working women
today. "We work together w ell...
so it was a really nice collaborative process," said Rubin.
The book isn't w ritten only f or
women; men w ill certainly b enefit f rom its time-saving hints.
"We figured that guys would
t hank us. They wouldn't have to
wait around f or their g irlfriends
to get ready all day long," said
j

Rubin.
I n our interview, Rubin also
had a personal message for students at CSUSM: "Anyone who
wants t o p ursue writing or any
creative endeavor don't b e a fraid,
j ust go for it! Because the key
to w riting...is writing, and once

you start on something it j ust
opens u p more ideas—its like a
big closet of clothes that comes
flying out. A nd I t hink that when
it comes to style, don't take it all
so seriously.. .have f un and enjoy
it."

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HR
D

Variety
"In Motion"

Tuesday, May 3, 2005

17

Is moimtainous cleavagett^VT^L ^ 3 ^
IZ
enough reason to see

B BRYAN MASON
Y
Pride Staff Writer

BY CHRIS KING
Pride Staff Writer

Filled with exuberant guitar riffs, and a subtle
and tasteful piano—that is the most concise way
to describe Copeland's new CD "In Motion."
Copeland, hailing f rom Florida and other
parts of the East Coast, Copeland's lead singer
Aaron Marsh has been enveloped in the Florida music scene for quite some time. As well as
being the lead singer, Marsh also plays over half
of the bands instruments, including the guitar,
piano, mellotron, and organ.
The new CD is filled with quiet and subtle
tones that are all too real when coupled with
Marsh's soft serenading voice. With tracks such
as "Sleep" which is very heavy in piano to tracks
like "No One Really Wins" a nonstop rock song,
it seems that listeners can get a wide variety of
songs, from one extremely talented group. Even
when you finish the ten song LP, you'll be waiting for more, but sadly to say there is none, at
least not for now.
The diversity in the CD will simply amaze
you as you skip from track to track, each time
finding a new and ever evolving array of songs.
After signing with the independent label The
Militia Group, Copeland has been touring nonstop all around the U.S. The band's CD is good,
but if you get a chance to see them live, jump at
it, it will be one of the best shows you've gone
to in awhile.
For more information on the album or on
Copeland's touring schedule check out www.
thecopelandsite.com or www.themilitagroup.
com.

Navy Seal teammate, agent Gibbons
XXX is placed at the center of a conspiracy on American soil. His mission is to utilize his virtually unlimited
resources to uncover and foil conspirator George Derkert's (William Dafoe)
plans to forcefully take the presidency.
Duh! Along the way, he gets help from
Zeke (Xzibit), a chop shop boss - go
figure - and Lola (Nona Gaye), who
quite simply adds the frivolous sexual
innuendo - and a ridiculous wig. What
else? There's a bunch a cool rides that
Xzibit and his buds from West Coast
Customs probably pimped out with lots
of chrome. One more thing: plenty of
females exuding mountainous cleavage.

Needless sequels typically suck.
They suck even more when they try
too hard to be cool and they're James
Bond rip-off action flicks.
But if you're entertained by gunfire,
explosions, and the first ever thug-style
tank-jacking, then you should consider
"XXX State of the Union."
While Vin Diesel (the original
XXX) desperately explores for more
"grounded roles" such as Disney's
"The Pacifier," Ice Cube has assumed
the rofe of Darius Stone, the new XXX:
more dangerous, rugged, and fearless,
according to NSA superman Augustus Gibbons (still played by Samuel L.
Jackson).
Amazingly, director Lee Tamahori
- while possibly smoking a new brand
crack - does a splendid job of making
all that insipid dialogue accurate. Yes,
the plot is so horrible it's laughable.
And yes, at any particular point of this
122 minute formulaic bonanza, you may
realize that the movie is going nowhere.
That is of course until Stone maneuvers
a tank on an aircraft carrier like it's a
formula one racecar, and then ditches
it by converting it into a projectile with
a jet catapult. That sequence was definitely worth an instant replay with that
cool ESPN sports center melody.
A fter being recruited by a former

Let's talk about the dialogue one
more time. Why is it necessary for
writers of action movies to include the
lame one-liners to encapsulate every
action sequence?
Simon Kinberg,
who wrote the upcoming "Fantastic
4," can certainly write some hilarious
racial humor, but his characters sound
too dumb to achieve the impossible
goals set by the plot. Maybe that's why
Tamahori flooded this flick with computer generated car chases and explosions.
When is Hollywood going to realize that they could market these motion
pictures in an innovative way by just
referring to them as "action" without
the misleading trailing term "movie?"

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Tuesday, May 3, 2005

Heather Hoffman interviews Billy Bob Thornton

THE PRIDE

i

"Bad News Bears"
BY HEATHER HOFFMANN
Pride Staff Writer
Billy Bob Thornton promises
this summer's release of "Bad
News Bears" will be an edgy
comedy with something for
everyone.
In a phone interview, Thornton
said the movie - a remake of the
1976 classic starring Walter Matthau - is "funny as hell. We hope
that we are just going to entertain
people with it."
Thornton, seen recently in
"Bad Santa," and "Friday Night
Lights," reprises Matthau's role
as Coach Buttermaker, a former
minor league baseball player and
heavy drinker, who takes money
to coach the Bears, a team of
untalented little leaguers.
The movie follows the team
through the season as they struggle to win. Although they may
not be the most talented little
league team, the Bears have heart
and that proves to be enough to
get them to the championship
game that will be played against
their rivals the Yankees.
'"Bad News Bears' is pretty
much the same movie in terms of
tone as the original movie with
Walter Matthau," Thornton said.
"It is a comedy that is a family
comedy but still kind of pushes it
to the edge in terms of the humor

Image courtesy of Paramount Pictures

and the language and things like
that."
"It is not like a movie that is
going to change the world or
anything," said Thornton, "but
a movie that might make people
kind of think about themselves
and their kids a bit more and realize that not every kid can be the
best at something, but if you try
hard maybe you will be better
than you thought you were."
When asked how he felt about
playing Matthau's character,
Thornton said, "It always makes
you a little nervous when you
are reprising someone's role. He

(Matthau) was one of my favorites. I always loved Walter Matthau and I actually knew him,"
said Thornton.
"I just wish he had been around
to see what we did here because
I think we tried to update it and
modernize it a little bit but we
tried to keep the integrity of the
original movie," said Thornton.
"I think he (Matthau) would have
been pretty proud."
This isn't the first time Thornton has played a coach. He also
played Coach Gary Gaines in
2004's "Friday Night Lights."
"I don't mind playing a coach,"

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said Thornton. "I always wanted
to be a teacher so this gives me an
opportunity to do that."
Thornton was attracted to Buttermaker because, "I like characters who seem to be sort of
on the edge of life and kind of
learn something along the way
to improve their lives somehow,"
he said. "He (Buttermaker) was
kind of a loser who hooks up with
some other losers and together
they kind of feel a little bit more
like winners."
Playing a coach gave Thornton
a chance to work with kids.
"I always have f un with kids,"

he said. "They (the kids) were
perfectly cast and really good
kids."
"They were pretty wild and
they needed to be for the movie,"
said Thornton. "They also were
not great baseball players - which
we also needed - but they were
all good enough to where as the
movie went along they got better
at it, which is the way it happens
in the movie."
"Bad News Bears" is directed
by Richard (Rick) Linklater who
also directed "School of Rock."
"Rick was really determined
to keep the original vibe of his
movie and I think he did a great
job," said Thornton.
"Rick
tried to keep it a little down
low because the original movie
in a lot of ways, kind of had an
independent film feel to it," said
Thornton.
This film was written by Glen
Ficarra and John Requa who
wrote "Bad Santa," which also
starred Thornton.
This film also stars Greg Kinnear ("Stuck on You") and Marcia
Gay Harden ("Mystic River") and
many other new young stars.
"Bad News Bears" is scheduled for release on July 22. For
more information visit www.badnewsbearsmovie.com.

aticsI
Please contactMIatfssàCowan at
760.942.9622eirt.1443 or
email mcowan@ymca.org

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Alfred Chu interviews Tom Cruise

BY ALFRED CHU
For The Pride

And so it b egins...the summer blockbuster movies. With a bigger audience in
the summer come bigger movies. In an
effort to promote one of those movies, Tom
Cruise granted a conference call interview
with several college newspapers f rom
around the country to discuss the highly
anticipated remake "War of the Worlds."
Cruise is working with the master and
possible pioneer of special effects, director Steven Spielberg once again to tell the
story based on the H.G. Well's novel.
"War of the Worlds" is about Ray Ferrier
(Cruise), a working class family man who
shelters himself f rom his family. When the
unexpected and unthinkable attack and
invasion by aliens happens, he must save
his family and fight for survival. Also starring is Dakota Fanning and Tim Robbins.
"Fanning is great," said Cruise. "She is
a very talented actress. Just personally, a
sweetheart and funny. We laughed a lot." 7
"Ray is a guy who is the total opposite of
who I am. He doesn't t ake responsibility
for his children. He is not taking responsibility for his family or the f uture. But I
understand Ray because I have lived in
those kinds of blue collar areas growing
up. I went to many different schools," said
Cruise.
It was the sudden delay of Spielberg's
and Cruise's other f uture projects that
caused this film to be greenlighted. Similar to their past films, "War of the Worlds"
contains all the genres of film and there-

image courtesy of Paramount Pictures and Dreamworks SKG

fore welcomes all types of audiences.
"I most definitely enjoy communicating
to audiences," said Cruise. " I make movies
for audiences. I definitely want them to see
it. But I do believe that films have different audiences. A picture such as "Collateral" is not going to have the same kind of
broad audience as a picture of "War of the

Worlds" or "Mission Impossible" or "Magnolia." But I do believe it is important to
try to get that film out to that audience that
is going to appreciate it and wants to see a
movie like that," said Cruise.
With two of Hollywood's talented artists teaming up yet again (the last project
Spielberg and Cruise worked on together

was "Minority Report"), an estimated
budget of $128 million, plus the score of
John Williams and the screenplay of David
Koepp (Jurassic Park), a critical and financial success is sure to follow.
"War of the Worlds" invades theaters
on June 29. To check out the trailer, go to:
http://www.waroftheworlds.com/

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BYCtiEZARE M ILO
Pride Staff Writer

HGG

D on't panic and always b ring a towel.
T hese are a f ew of the words of
enlightenment t he " Hitchhiker's Guide
t o t he G alaxy" o ffers to its readers, and
t he r ules earth-man A rthur Dent and h is
alien companion Ford P refect follow in
t his non-stop action-comedy film adaptation of the Douglas Adams book.
A movie is a lmost never as good as t he
text f rom which it came, but "Hitchhik-

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whctrie/
er's Guide to the G alaxy" comes d amn
close - probably because Douglas A dams
wrote the screenplay. Seeing t he Vogon
destructor fleet, the spaceship Heart of
Gold, M arvin, Trillian and Zaphod Beeblebrox come to life will delight those
who have read HGG, as will the large
amount of A dams' wit that finds its way
onto the screen. The plot is fairly t rue
to the novel, and slight departures don't
annoy or distract.
The brain-ticking
laughs caused by direct quotations of
the text will have HGG f ans gasping for
breath and leave novices momentarily
incapacitated. The sentient m achines
and aliens in the Hitchhiker's Guide
include every obnoxious, outgoing,
depressed, anxious, u nsure and unstable
person you have ever met, but here you
get to laugh out loud at them.
This movie is b etter than t he original
" Star Wars" and should b ecome a classic.
You don't have to b e a sci-fi f an to enjoy
" Hitchhiker's Guide to t he G alaxy" much of the intense humor surrounds t he
irony of existence itself. D on't panic.

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BY ZACHARY J. SIMON
For The Pride
The "Hitchhiker's Guide to the G alaxy"
begs simplification - clever categorizations that will make you feel all the more
clever f or going to watch it: 4 Star Wars,
Fight Club, and The Never Ending Story...
as directed by Monty Python.'
A nd if you've enjoyed none of that y ou'll
still deserve a lobotomy for missing this,
one of the most r efreshing things I 've seen
in some time. Of course, with the novel
released more than 20 years ago, it was a
long t ime coming. Hollywood's decadelong (give or take) creative drought likely
had more to do with HGG being m ade now
than any noble patience in the vein of ' let's
not do it till we can do it right.'
The author o f the original book was a
key figure in production, which is good,
most o ften essential, ESPECIALLY when
the book is considered a staple of nerd culture. I 'm not sure how many copies this
s eries'(that's right, series, a big pungent
$ word) has sold thus f ar or whether the
number will justifiably double before the
y ear's out, but I do know that I 've been recommended it for a decade, and t hat's a fter

seeing it on T-shirts.
A nd if a book on a t-shirt w asn't enough
of an anomaly, we now have a great film of
that book"that values props over CGI.
T hat's right, with hardly t he slightest
taint of nostalgia, H GG shows that first
rate r ubber molds beat second rate silicon
chips any day, not that any of the e ffects
are second rate.
Another r efreshing aspect is that it is
truly, though likely not by design, one for
pupae and fossil alike. Randyness is minimal, but noisy larvae will j ust make you
miss what isn't already muted by lingering
laughter. I enjoy probably more than my
f air share of glorified violence and hyper
sexuality, but if there ever was a chance to
reach out to someone who enjoys nothing
else, the shared misanthropic core might
j ust b e the ticket. Sure there's some mushy
corn toward the end, and the sleazy nonhero has b een overdone, but geeks and grotesque alien monsters need love too, right?
Providing any k ind of synopsis would r uin
a film so defined by its surprises, but I
will tell you not to get too caught upr in t he
s tunning e ffects as the wit and insights hit
j untas Jiard,

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