<?xml version="1.0" encoding="UTF-8"?>
<item xmlns="http://omeka.org/schemas/omeka-xml/v5" itemId="225" public="1" featured="0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://archives.csusm.edu/student-newspapers/record/225?output=omeka-xml" accessDate="2026-04-15T20:21:37-07:00">
  <fileContainer>
    <file fileId="296">
      <src>https://archives.csusm.edu/student-newspapers/files/original/cab98d0a4ce43807de8a408d2fc507ae.pdf</src>
      <authentication>757b68bf2d078638a6676581d1787090</authentication>
      <elementSetContainer>
        <elementSet elementSetId="4">
          <name>PDF Text</name>
          <description/>
          <elementContainer>
            <element elementId="52">
              <name>Text</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="3710">
                  <text>Clubs Sponsor Fundraising for Victims of Terrorist Attacks
Page 2
For Student Voice

http://www.csusmpride.com

The Pride
California State University San Marcos

News
2-3
Arts.
•4-5
Opinion............6-7

Vol. IX No. 5/Tuesday, September 25,2001

Faculty Threats
of Strike
Continue

ASI Presents
Plans for
Daycare Center

By TOM CHAMBERS

At Friday's Board of
Director's
meeting
for
Associated Students Inc.,
Susana Gonzalez, Interim
Executive Director, presented
background information on a
childcare grant for the. ASI
Early Learning Center (ELC).
ASI currently subsidizes the
ELC, however the grants would
help alleviate costs to run the
center and would be used to
pay for teachers' salaries.
The ELC is a childcare program for children two to five
years old, and provides care
for the children of CSUSM
students, faculty, staff, and the
community.
At the board meeting,
Gonzalez told of the need for
a site supervisor for the ELC.
The supervisor would teach
in classroom 3, the preschool
class, and would relieve some
of the teachers. The site supervisor would also serve as a
sounding board for ELC
teachers and adult volunteers,
and work in conjunction with
Joyce Williams, ELC Program
Director. The ELC supervisor
should have a master's degree
in human or child development, be an expert in curriculum and counseling, and
have early childhood education
units.
The board plans to pay the
site supervisor with the money
that would have gone to an
ELC teacher who left the center.
Gonzalez also announced
the need for an independent
contractor to assess the ELC.
The contractor would assess
curriculum, staffing, and the
finance of the center.
The costs for the assessment report, travel costs, consultation, and future contact
with the contractor would be
$3,000. There is the hope
among the board that the ELC
will move on campus in a few
years, with plans and a building layout already in progress.
ELC tuition may change,
according to an ELC rep.
Currently CSUSM students pay
either $22 or $15 a day for ELC
tuition, depending on a fullday program or part- day program for their child. CSUSM
faculty and staff pay either $25
or $27 per day, and community
members pay $27 or $18 per
day for tuition.

For The Pride

Faculty members at all 22
Cal State campuses are threatening a strike if current talks
with administrators do not yield
a new contract.
"I think it's highly likely
that we will strike," said George
Diehr, a Cal State San Marcos
faculty member and member of
the faculty's bargaining team.
"There's been no effort to bargain productively or in good
faith."
The California Faculty
Association and the Cal State
administration have been in
negotiations since last April, and
have yet to come to an agreement for the faculty's next threeyear contract. Two weeks after
the current contract expired on
June 30, the Public Employees
Relations Board declared in
impasse in the bargaining. Both
sides are engaging in meetings
with a mediator that could last
through October.
The California Faculty
Association bargains for all
22,000 Cal State faculty in the
state. Cal State San Marcos has
about 150 faculty union members, and 374 total full- and
part-time faculty.
The faculty is asking for
a 5.7 percent average salary
increase, including a 3 percent
increase across the board, Diehr

Sundance AwardWinning Film
Director Comes to
GSUSM
By VICTORIA B. SEGALL
Pride Editor
Film director Chris Eyre
was a featured guest speaker
Wednesday evening for the
university's Arts and Lectures
Series. He is best-known for
Smoke Signals," which won two
awards at the 1999 Sundance
Film Festival, the Audience
Award, and the Filmmaker's
Trophy. Eyre's current film project is "Skins," which follows his
tradition of telling the stories of
Native Americans "through film.
The evening began in
Academic Hall 102, with a prayer
by Henry Rodriguez, also known
as Uncle Henry, a Luisefio tribal
elder who received an honorary

By STEPHANIE BAIRD
Pride Staff Writer

said. They are also seeking more
compensation for part-time faculty, extended contracts for parttime faculty, equal pay for teaching during the summer, and the
hiring of more full-time faculty.
The Cal State administration claims the governor and
state legislature determine its
budget, including salary increases, and that it is not able to meet
the faculty's demands.
"The governor gave us a
2 percent package," said Mary
Elizabeth Stivers, Cal State San
Marcos Associate Vice President
of Academic Affairs and a member, of the administration's bargaining team. "We say, the governor gave us 2 percent, and
that's what we're giving."
Diehr, president of the Cal
State San Marcos union
chapter, said the administration Michael McDuffie, professor of philosophy, listens to the student/faculty
should find the money elsewhere
panel at the second open forum. (Pride Photo/Amy Bolaski)
in the budget, noting that less
than half of the. $3 billion CSU
budget goes to instruction.
Stivers said that is not an
option.
"The' chancellor won't go
dip into other areas - he would
By CONSTANCE CHUA
have to do the same for the
Pride Staff Writer
system's other eight bargaining
units," she said. "All campuses
More than 200 students, facwould take a hit and have less
ulty, and staff gathered on the
money."
steps of Founders' Plaza for
In addition to salary, Diehr
Dean McWilliams, students, andpropoints to the number of full- fessors speak at the second campus a second open campus forum
time faculty at CSU campuses forum. (Pride Photo/Amy Bolaski) on Thursday afternoon, to discuss discrimination and vioas an »Article cont. on pg 2
lence, media involvement, and
the historical and psychological
effects of the terrorist attacks.
The Pride sponsored the forum,
in collaboration with the College
of Arts and Sciences.
Dean Spencer McWilliams,
of the College of Arts and Sciences, moderated the forum, and
introduced President Alexander
Gonzalez, who gave a welcome
address.
The panel included about a
dozen individuals, students and
faculty.
Chris Eyre, director of "Smoke Signals," speaks at CSUSM.
Dr. Alyssa Goldstein-Sepin(Pride Photo/Victoria Segall)
wall, a history professor said,
doctorate from Cal State San characters were people I knew.
"We should not demonize the
Marcos in June. Bonnie Biggs, And with 'Skins,' that's what I'm
people in our community who
University Coordinator for the trying to do," said Eyre. "But I
happen to be in the same ethnical
Arts and Lectures Series, intro- don't think we have a grasp of
group as the terrorists." Sepinduced Eyre to the audience.
what an Indian is."
wall also reminded the audience
"As an artist I'm trying to
The audience previewed four that the U.S. has a complicated
scratch the surface and project clips from "Skins." The film
past when it comes to involve(Native-Americans) for other takes place on the Pine Ridge
ment with the Middle East people/' said Eyre, who is of Indian Reservation in South
there have been paradigm shifts
Cheyenne-Arapaho
descent. Dakota, and tells the story of and switching of alliances over
With "Smoke Signals," Eyre said, two
the years. Dr. Bethami Dobkin,
"It was about feeling like these »Article continues on pg. 4
»Article continues on pg. 3

Second Forum H eld to
Address Terrorism

�2 Tuesday, September 25, 2001

Clubs Raise Money for Victims during Business Expo/Club Fundraising Week
said Kristin Joolingen.
By JENNIFER HOLMES and
DUSTIN NAYLOR
Pride Staff Writers

As rescue teams in New York
City and Washington D.C. continue to work around the clock
to recover and rescue victims,
several CSUSM clubs have come
together to show their remorse
and support for individuals suffering from the Sept 11 tragedy.
During last week's Business
Expo/Club Fundraising events,
organizations including the
Anime Project Alliance, Sigma
Iota Epsilon, and the Victorious
Club coordinated a flower drive
on Wednesday and Thursday to
raise money. They purchased
approximately 75 roses and 70

Times Disaster Relief Fund,
which will match $.50 on the
dollar, according to another coordinator, Chris Donahue of Sigma
Iota Epsilon, which is an honorary management fraternity. "If
other clubs want to donate flowers or help maintain the booth, we
welcome them," said Donahue.
"They are also encouraged to
donate by purchasing flowers
from the booth."
Eliza Portugal and Penny Lanese sellflowersto raise money for the victims
Alpha Xi Delta sorority was
of the Sept. 11 attack. (Pride Photo/Victoria Segall)
another organization that took
carnations. The clubs sold roses, she said, as she tied white ribbons part in a fundraiser last week.
two for $5, in memory of the around a red rose. She added, "If The sorority sold shaved ice snow
World Trade Towers, and carna- we get a positive response, we cones in front of the Dome. "Our
may be able to bring the flower sorority is dedicated to raising
tions, for $i each.
Penny Lanese was one of sale back, or possibly a food or money for children, and to help
support families of victims in
the coordinators for the flower crafts fair."
All money raised will be New York and Washington D.C.,"
drive. "We want the money to go
to people who need it the most," donated to the North County

In addition to the club fundraising last week, vendors also
took part in the Business Expo.
Bally's Total Fitness, the CSUSM
Bookstore, and Fluid Fire Golf,
were-some of the vendors that
sold merchandise.
Associated Students Inc.
(ASI) sponsored the Business
Expo/Club Fundraising Week.
"ASI recognizes the need for
more campus life, and also the
need for clubs to raise funds to
help support their interests and
on-going programs," said ASI
Club Services Technician Brad
Schmidt.
The next d ub fundraising
opportunity at Cal State San
Marcos will be Oct. 29 "Nov. 1.

California Faculty Association Rep Says a Strike Is in t he F uture at CSUSM
»Article cont. from pg. 1
issue concerning the quality
of education. He said that while
the CSU student body increased
by 35,000 from 1994 to 2000, the
entire system gained only one
full-time faculty member.
He said full-time faculty
members at campuses like Cal
State San Marcos are overworked
with duties outside of the classroom that part-time faculty do
not have to take on. He added
that part-time faculty are not as
--George Diehr
accessible to students because
CFA Rep
they have no office, and often
have to leave after class to teach
ure-track faculty," Diehr said.
at another campus.
Next year, the system expects
"In the last 30. years, we've
to gain about 12,000 students
hired more managers than ten-

"They don't
believe we will
strike, therefore they don't
bargain. Ergo,
we have to
strike

Classifieds
Help Wanted
Business Opportunity
Part-time/Full-time
Work from home
Call (760) 945-3890
Ext. 1#
Inside Sales Rep.
Part-time/Full-time
Work from home
Call (760) 945-3890
Ext. 1#

Editing
Services
Specialist in Master's
Theses and Doctoral
Dissertations
All Style Manuals and
Disciplines
Word Processing § Manuscripts
§ Letters § Proofreading

M ichel M. W alker
Phone/Fax (760) 480-6470
kiewamals@home.com

and will gain about 150 full-time
faculty members.
If the mediation process does
not yield a new contract, both
sides enter into factfinding - one
representative from each side and
an outside arbitrator will comb
through the issues and make a
recommendation. If a compromise is not reached after the factfinding report is released at the
end of this semester, Diehr said
the faculty would strike.
Cal State administrators say
they are not sure at what point
the administration would give in
should there be a strike.
"It's hard to say," Stivers
said. "If 90 percent of the faculty
go on strike, we would then talk

about how to resolve this."
Last year, faculty at universities in Hawaii went on strike
for two weeks before the administration settled on a contract.
If a university is closed for
more than two" weeks, the
Western Association of Schools
and Colleges will not count the
semester for accreditation purposes.
During the strike, the
Hawaiian faculty union said it
was willing to sponsor student
lawsuits to gain their units back
if the semester was thrown out.
Cal State faculty has never
gone on strike before, and Stivers
said she hopes the situation does
not come down to that.

"I am hopeful that we can
resolve this before it gets to that
point," she said. "In the end, the
people most affected by a strike
are the students."
Diehr said whether or not
there is a strike is up to the
administration, noting that the
chancellor has imposed his own
deal twice before when negotiations where at an impasse.
"They don't believe we will
strike, therefore they don't bargain," Diehr said. "Ergo, we have
to strike."
If the faculty do strike, it
will happen sometime during the
spring semester, after all the
state-mandated bargaining meetings have taken place.

S tudents! Advertise w ith The Pride for only $ 9/ Call (760) 7 50-6099

Fun loving neatnik who drives
her roommates crazy with constant
scouring, to clean our home and
care for our 5-year-old son. Tuesday/
Thursday afternoons, 6-8 hours/
week, pay negotiable depending on
results. ($200-300/month). Approx.
10 mins. From campus. References,
reliable car, clean driving record,
non-smoker required. Explain qualifications at xelal75@yahoo.com. or
404-423-4461

A+SUBS Preschool Substitutes,
aides, &amp; teachers.
A ll areas, full time,
flexible part time
hours.

$6.75 - $9.50 hourly
Call Jacki
858-565-2144

Free gas. Cash paid weekly.
Driver needed for private individual.
Light maintence provided. Meals provided daily. Need A.S.A.P. Call anytime. As
for Randy. (760) 295-2612.

$ Get Paid for
Your Opinions! $
Earn $15-125
and more per survey!
www.money4opinions.cotn

Tutor/Mentor for children and adolescents in the No. County.
P/T up to 20 hrs/week. $8.00/Hr.
Benefits. E.O.E. Fax resume to Kinship
Support (760) 233-9738.

Egg Donors Needed
$4,000 compensation;
Ages 19-30
Call Susan at (800) 463-5656 or e-mail
procreative@iinet.com

A TTENTION
FUTURE TEACHERS
Gcrin invaluable experience b y teaching fun
science to elementary students w eekday
afternoons. Training a nd
J3§

materials provided. $20 -to j y ^
$30 per one hour class.
Some experience required
MAD SCIENCE

8 58*505*4880
www.madscience.org/sandiego

�The Pride

Local News

U.S. Economy Deals with Record Losses
By JAMES NEWELL
Pride Staff Writer
As New York and Washington
D.C. begin to clean up the debris
and destruction left in the wake of
recent terrorist attacks, the economic ramifications are beginning to unfold.
On Monday morning, Sept.
17, after a four-day closure, the
New York Stock Exchange
(NYSE) reopened with a symbolic and humble beginning. New
York Emergency and Fire Rescue
workers rang the opening bell,
signifying the start of trading.
After pausing for a two-minute
moment of silence before the market's opening, Richard Grasso,
Chairman of the NYSE, said,
"This couldn't have happened
without them . .. Our heroes will
now open the market place." The
sound of the bell was almost
muted by the applause of the
crowd.
After an initial plummet, the
market stabilized briefly. At the
end of Monday's trading, the
market showed signs of strength.
Other than drastic drops in insurance, airline, and financial service markets, it was a relatively
average day on Wall Street.
As more information throughout the week pointed to the United
States moving toward war, stocks
continued to fall and trading
ended on Friday with the worst
one-week drop since July of 1933,

during the Great Depression. The
Dow Jones fell 14.2 percent or
almost 1,370 points, equaling
approximately $1.4 trillion in
market value losses.
"Fear was stronger than
greed," commented Beatrice
Black for National Public Radio's
( NPR) Market Place, s umming u p

the feelings around Wall Street.
The mood in New York's financial district was one of uncertainty.
"Anyone who bought yesterday looks like a moron today.
And if you buy today, you're
worried about looking like an
idiot tomorrow. The likelihood of
looking like an idiot next week is
quite high," said Dominic Freud,
of European stocks at S.G. Cowan
in New York, during an interview
o n N PR's Market Place.

Although there is an air of
fear permeating the market, the
travel industry, including airlines
and hotels, is taking the brunt of
the losses. American and TWA
have both halted meal services in
an attempt to save money. 75,000
airline jobs have been cut across
the board. The New York City
hotel industry is reporting a 45
percent capacity, rather than the
seasonal 75 percent. And, hitting
closer to home, Tijuana's downtown sector of three to five-star
hotels report 90 percent of their
reservations have been cancelled
due to border and travel problems, according to Judy Martin
during an interview on NPR.

Congress has agreed on an
immediate expenditure of $5
billion to help bolster the airline
industry, with a promise for $10
billion in loan guarantees. This
is an attempt to reestablish public
confidence and help to return the
United States to a sense of normalcy. Bill Nelson, D. Senator of
Florida, said returning the airline
industry to normalcy is a "very
essential first step" on the road
to economic recovery.
In spite of the negative circumstances in financial areas
around the country, many investors said they believe that the
market will bounce backh and
the drop in stock prices could
actually be a golden opportunity
for some beginning investors.
Looking at past domestic disasters, the drop in market value
following the incidents lasted for
a short time and then rose to even
higher levels, mirroring consumer Confidence.
"We've suffered a direct economic impact, but the ripple
effect is troubling," said Hilary
Rodham Clinton, a D. Senator of
New York, during a CNN interview Friday morning. Rodham
Clinton said that people around
the country need to keep going,
and should not withdraw from
their everyday activities. In an
attempt to alleviate some of the
ripple effect she said, "we need
to tend to everyday business . ..
live our lives."

Second Forum Held at GSUSM t o Discuss Terrorism Attacks
»Article cont.from pg. 1
a member of the American
Council on Education Fellow,
spoke on media and terrorism.
"If we give up our civil liberties
then the terrorists have won,"
said Dr. Bethami Dobkin.
Student Darren Marks, a
senior and member of the student
organization, Young Americans
for Freedom, agreed with Dobkin's statement about not allowing the terrorists to "win" by
giving up civil liberties. "I will
guarantee you that this type of

terrorism will happen again in
the future," he said.
Another student representative, Ricardo Favela, from Movimiento Estudiantil Chicano de
Aztlan (M.E.Ch.A.,), also spoke
Thursday afternoon. Favela and
fellow student Isabel Soliz set
up an altar last week as part of
an independent study on Founders' Plaza in remembrance of
those that lost their lives in the
attacks.
Panel members also discussed the racism and violence -

towards Muslims, and people of
Arab descent.
Other professors on the panel
included: Farid Mahdavi and
Patty Seleski, history professors, Susie Cassel, literature and
writing and ethnic studies
professor, Liliana Rossman,
communication professor, Peter
Zwick, Director of University
Global Affairs, Staci Beavers,
political science professor,
Wesley Schultz, psychology professor, and Don Barrett, sociology professor.

Tuesday, September 25,2001 3

Graduation Open
Forum in the Works

Robert McArdle, his children, and a fellow student helped chalk
the CSUSM stairs. (Pride Photo/Melanie Addington)

By STEPHANIE BAIRD
Pride Staff Writer
Students will notice a bit
more color on campus in the
next few weeks, due to a group
of graduating seniors who are
chalking the steps around the
university to demonstrate their
unhappiness with the university's decision to hold this year's
commencement off campus.
The group of students, led
by Robert McArdle, a senior
and liberal studies major, began
chalking the steps leading down
to the first floor of Craven Hall,
near the flag pole. "Seniors
unite," is now the colorful message that welcomes individuals
as they walk up the steps.
"We want to bring student
awareness to the administration's decision to move graduation off campus," said McArdle.
"We're letting student voices
be heard, when administration
should have done it in the first
place."
The seniors working with
McArdle include Bryan Clark,
Beverly Huss, Alicia Mendivil,
and James Tellez. They have
organized a graduation open
forum for students that will take
place Thursday, Oct. 11 from
11 a.m.-2 p.m. on the steps
of Founders' Plaza, outside of
Academic Hall 102. McArdle
announced the upcoming forum
during the ASI Board of
Director's meeting on Friday.

The open forum will be a
place for students to discuss their
thoughts, complaints, and suggestions concerning the graduation ceremonies, according to
McArdle. Students will have the
opportunity to voice their opinion and create awareness for the
entire campus about the current
graduation plans.
We're hitting seniors first
because it (graduation) will hit
them first," said McArdle. "We
have administrators who said
they'd come to the forum, along
with the Assistant to the
President,
Student
and
Residential Life, ASI."
The students are trying to
find more sponsors for their
cause. They presently have the
Future Educators Club as a
direct sponsor for the graduation forum.
McArdle said that he recently sent out 5,704 e-mails to
students and faculty announcing the need for a graduation
open forum and received 2,166
responses. "I got tons of support. Out of the 2,166 e-mails I
got back, only three were negative," said McArdle. "In half of
those e-mails, I got people who
thought graduation was still at
Palomar."
Commencement 2001-2002
will be held at the Del Mar
Fairgrounds. For more information, contact Robert McArdle at
mcard001@csusm.edu.

INVESTMENT STRATEGIES
THAT ARE CLEAR AND CONCISE.
EVEN IF OUR NAME ISN'T.
Aside f rom our name, we've always been in favor of m aking t hings s imple.
So c ontact us for smart, easy investment t echniques t o help you reach your f inancial goals.
TIAA-CREF.org or c all 1 . 8 0 0 . 8 4 2 . 2 7 7 6

Managing money for people „
with other things to think about.™

|

R ETIREMENT |

I NSURANCE

| M UTUAL F UNDS | COLLEGE SAVINGS

| T RUSTS | I NVESTMENT M ANAGEMENT

TIAA-CREF Individual and Institutional Services, Inc., and teachers Personal Investors Services, inc., distribute securities products. © 2001 Teachers Insurance and Annuity Association-College Retirement Equities Ftihd (TIAA-CREF), New York, NY 08/20

�4 Tuesday, September 25, 2001

Arts &amp; Entertainment

MTV Contradicts Its Message with Foxx

T he Pride

Breath of Fresh Eyre

»Article cont.
the intensity of such an issue for is the nation's number one killer
By AMY GRANITE
from pg
along with nicotine, and moreover
a moment. V
Pride Staff Writer
1
insult someone's triumph over
The joke did not end there.
brothers;
After a statement by the vis- the sickness? Obviously Foxx is
Pushing the envelope further
one
each year with its explicit ibly irritated A.J., who said his that person.
brother is
Another surprise came when
broadcast program, the MTV accomplishment of sobering up
police
Video Music Awards isT a highly for a total of 60-something days TRL host Carson Daly took the
officer
publicized and anticipated event and encouraging others to take stage to give a speech before
Rudy
in pop culture. Fans lined the the steps he took to feel the best the U2 performance. In describstreets surrounding the New York he has ever felt, Foxx was back in ing the band, Daly changed the Yellow Shirt (played by Eric
Metropolitan Opera House where the spotlight. After the boy band phrase, "A slap in the face, a kick Schweig), and the other, Mogie
the event took place three weeks had left the stage, Foxx cracked in the ass," to "A slap in the face Yellow Shirt, is an alcoholic
ago, while many, like, myself, open a bottle of whdt seemed a kick in the balls." Why was (played by Graham Greene of
watched the spectacle from the to be champagne, waving it in it necessary to mention genitals "Dances With Wolves").
"They're vastly different, but
couch. I must say that I was the air. Saying something about in announcing the performance
shocked at the vulgarity that a celebration,
of one of the they're still brothers," said Eyre.
M&amp;M
was broadcast as a projection of he motioned to | | |
most successful "It's tribal and it's universal."
MTV's image to viewers around the bottle, reasmusic groups of Eyre added that the film is "about
the world, many of whom are suring A.J.,
all time? If I all the gray areas that exist."
Eyre also praised Graham
preteen and teenagers.
were a parent
"Don't worry,
I would have Green as "an amazing actor."
It seems as though each year its just apple
flipped off that "He's probably the best Indian
the intention of the award show cider. You can
TV. This was actor we've had," he said. Greene
shifts even more from honoring have that, can't
the point of the may be known to many indiartists' accomplishments to you?"
show where I viduals for his role as Kicking
degrading the personalities and
The audiB
^
lifestyles of those present and not etncei was ^ i n Backstreetthe oysand Jennifer Lopez atwn-tr^ i_ a i**^ Bird in "Dances with Wolves."
MTV qwards.
MTV
had
hl
It took Eyre 24 days to
present,at the event. It has also shock.
Few
(Courtesy Photos/MTV)
*
been apparent that the goal of laughed, and I
rock bottom. I shoot "Skins," and he finished
each year's award shows host is myself wanted to throw tomatoes realize the station has a rebel- filming in May. Eyre said that
to take the controversial issues of at my own TV in response to lious, hip image to maintain, but the film would be released in
the spring, hopefully through
that particular
such a poor joke. has this gone too far?
Shouldn't the focus be on how Miramax Films.
year in review
Foxx contradicted
The 35-year-old director also
and poke fun
MTV in the fact people treat each other and what
at the people
that the station is right and wrong? The audience talked about the portrayal of
involved or
was using A.J.'s of the MTV Video Music Awards Native Americans in film.
" I usually talk about the
affected. This
personal problem consisted of many viewers in the
has, for the
as an example of high school age group. It was history of Indians and movies,"
most
part,
how the public clear from the show that making said Eyre. "I really examine why
been a humor- p
can fight alcohol fun of people's bodies, ideas, and it is that Indians are viewed in
ous and toler- ¥
abuse, come for- addiction problems is an accept- the 'Stone Age.' They're always
able aspect of L
ward and seek able thing to do. One can con- projected in the late 18-century
clude that the focus should not stereotypes of nobles and savagthe program. |
help.
This year was
MTV
had be on what Britney Spears wears, es. But I'm not sure Americans
no such exampreviously turned but perhaps something with more want to see them out of that
ple as host
the issue of A.J.'s significance such as people's feel- scene."
"People always try to place
actor/comedian Jamie Foxx con- substance problem into a posi- ings.
tinuously crossed demeaning tive message, especially on one
The 2001 MTV Video Music Indians in categories: nobles or
boundary lines.
episode of the highly rated Total Awards was supposed to be a savages. But they're neither,"
The mud slinging began as Request Live program, when celebration of the art of music said Eyre. "The reflection of our
Foxx introduced the recently A.J.'s mother phoned in on behalf and the expansion of pop culture, culture will be seen in movies,"
regrouped Backstreet Boys. With of her son with encouraging a demonstration of freedom of said Eyre.
He talked about the history
group member A.J.'s battle with words for others in similar situ- speech, and the limitations of cenalcoholism still fresh in the news, ations. I felt that all previous sorship. Instead, the award show of Native Americans in film,
Foxx posted a big screen image MTV efforts to jet across this made me wonder if the writers/ including the re-creation of
of the singer with an inserted message of importance, had at producers of this program have "Wounded Knee," from 1890,
photo of a cocktail held up to his that point in time due to Foxx's any brains in their heads or any which he described as propaganda for Manifest Destiny. "Then
mouth. Many, as well as myself, idiocy, fallen flat. What ignorant morals in their conscience.
from 1910 through 1913 there
person would mock a disease that
thought this was funny, releasing

Attention All
Students!

Thoughts on...

There are several scholarship
opportunities that you may be
eligible for!

S elf

C omplete a G eneral
S cholarship
A pplication b y
O ctober 12, 2 001 a nd
b e c onsidered f or over
T EN s cholarships f or
award y ear 2001-2002!
Applications are available
in the Financial Aid and
Scholarship Office in
Craven 4204 or on our
web site at www.csusm.edu/
financial aid

A PPLY T ODAY!

Compiled by
MELANIE ADDINGTON
"To be nobody but yourself in
a world that's doing its best to
make you somebody else, is to
fight the hardest battle you are
ever going to fight. Never stop
fighting."
--E.E. Cummings
"He who has so little knowledge of human nature as to
seek happiness by changing
anything but his own disposition will waste his life away in
fruitless efforts."
- Samuel Johnson
"Everything that irritates us

about others can lead us to an
understanding of ourselves."
-C.G. Jung (1875-1961) Swiss
psychologist
"Be more concerned with your
character than your reputation,
because your character is what
you really are, while your reputation is merely what others
think you are."
- John Wooden
"If a man does not keep pace
with his companions, perhaps
it is because he hears a different drummer. Let him step
to the music which he hears,
however measured or far away."
—Henry David Thoreau

mm

m

were 100 movies a year with
Indians," said Eyre.
"And John Forbes was one
of the most detrimental things
to happen to Indians," said
Eyre, who described Forbes'
earlier movies, like 1939's
"Stagecoach," as portraying
Native Americans with no culture.
Eyre described Forbes' 1964
film, "Cheyenne Autumn," however, as the redemption movie.
"He took back his portrayal of
Indians," said Eyre.
Eyre, who is originally from
Klamath Falls, Oregon, said he
got involved with photography
before he began working with
film. "I never intended to work
with actors," said Eyre. "I never
thought about the representation of Native-Americans when
I was growing up.
Eyre also reflected on the
recent attack in New York City
and Washington, D.C. "It gives
generations behind mine, in their
20s, a cause. Because this could
last 10 years, or more. There
could be a legacy beyond that.
If you jsaw what happened if it hit you between the eyes,
don't miss the point. That's a
generational calling. Have love
for each other."
Eyre also said he hopes
to work on a movie based on
the life of Leonard Peltier, an
Anishinabe-Lakota Indian, who
is considered a political prisoner by Amnesty International.
"It's been on the table for about
three years now," said Eyre.
"But nobody's stepping up to
the plate. There's no marquee
Indian actor."
Students also asked how
Eyre competes with more highbudgeted films with special
effects, a contrast to Eyre's
"home dramas," as he described
them, and his films, like "Skins,"
which cost $2.5 million to film.
"I read somewhere that when
no one's looking, you can make
a good movie," said Eyre. "So
I make small movies and something that's meaningful to me."

• mmmmmmmmmmmmmmmmmmmm

i

C % r • 1 R mI l e r n l lc t lei 1 1 9 e r I I m
mV
nt
Wo m I
ll

2 002 Planning
Need
•
•

S tudent R epresentatives

• -Logistics Committee
• -Program Committee
• -Reception/Open House Committee
•
i

i

a
•

!
•

•
J
a
J

If you are interested in serving, please
complete an application in the Associated a
Students, inc. office, Commons 203. If
!
you need further information, contact
•
a Office of the Vice President for Student
a Affairs, 750-4056,
J
a
•

a Commencement will be held June i , 2002 J
•
Del Mar Fairgrounds
•
•••••••••••••••••••••••••a

�The Pride

Arts &amp; Entertainment

Tuesday, September 25,2001 5

Jazz and Art: C SUSM A rts and Lectures Series
HEATHER VALLENTYNE
Pride Staff Writer
Some of San Diego's top jazz
talents will be featured every
day this week during a noon jazz
festival at the Dome Plaza.
On Monday, we heard the
world-acclaimed alto-saxophonist, Charles McPherson. Tuesday
we will hear jazz guitarist Peter
Sprague, and his own style of
musical magic. Not to worry

though, there are still three
more cutting-edge jazz composers waiting to heat up the mid-day
lunch hour. Classic jazz vocal artist Marguerita Page will perform
Wednesday, Steve Feierabend, a
tenor saxophonist and composer, will perform Thursday, and
the jazz series will conclude on
Friday with Hollis Gentry.
The jazz festival is sponsored by the Arts and Lectures
Series at Cal State San Marcos,

Score Less
By KEVIN HAWK
Pride Staff Writer
Thirty minutes into the
movie, the couple to my right
rose out of their reclining chairs
and briskly walked down the
stairs to the door. Five minutes
later, the man to my left stood
and carelessly jolted across the
isle, knocking over my water as
he fled for the exit sign. Three
minutes later, I leaned forward
in an effort to stand. Reminded
that I had to write a review, I
reluctantly sank back into the
padded chair. Disappointed, I
turned the page on my notepad
and began doodling.
A flash from the movie
screen called for my attention.
There stood Edward Norton.
He began to stumble down
the brick-layered
Montreal street,
voluntarily shaking, head cocked
to one side. My
d isappointment
quickly turned to
interest.
Frank
Oz,
who in the past
has concentrated
on some memorable comedies,
including "What About Bob?,"
decided to play it safe with
his first thriller, "The Score,"
using a plot soiled and washed
so many times, the color has
faded.
"The Score" may have
scored enough points to keep
the game interesting by providing some sparks and suspense in the final scenes, but
when the game ended, Edward
Norton was left empty handed,
scratching his head (don't worry
Edward, you weren't the only
one). Norton's performance
wasn't the reason "The Score"
fell short, but rather it was
an over-used game plan. Even
though Oz recruited an all-star
cast including Robert Dinero
(Nick), Edward Norton (Jack/
Brian), Marlon Brando (Matf),
and Angela Bassett (Diane), how
did he expect his team to win
when the opposition (audience)
knew their every move? He
couldn't.
Nick and Brian both work
for Max, a shameless man who
uses self-pity and whining to
keep Nick active. Max needs
Nick, a polished jewel thief, to
take one last job. Max coordi-

nates an easy plan (easy because
he makes the plan), using Nick
and Brian to retrieve an ancient
scepter held i n. the Montreal
Custom's House that is worth
millions and will solve everyone's problems. Max can pay
off his debts and, in return, live.
Nick, who usually abandons a
job at the slightest insecure feeling, commits anyway. He wants
to pay off his lazy jazz club
and marry his girlfriend Diana
(Bassett). Jack will establish
himself in the jewelry thief business and make more money than
he can spend. It's a win-win
situation for everyone, almost.
The highlight of the movie is
Brian, Edward Norton's character in the film. Brian is
a mentally challenged person
who takes advantage of everyone around him at
the Custom's House,
where he works as a
janitor. Norton's previous
roles,
including a racist,
hatred-filled turned
compassionate character in "American
History X" and a
split personality in
"Primal Fear," have
established him as a
premier actor.
The final heist in "The
Score" goes down in a suspenseful yet abusive fashion; only one
thief escapes with the treasure.
The assortment of equipment
Nick uses to complete the heist
compared in length to the minutes the movie ran: too many.
Nick pulled out gadget after gadget from his bottomless sack.
"The Score" did show one
original quality; much of the
movie focused on the preparation for the heist, which made
for some stagnant scenes, doing
more harm than good. When
Nick and Jack actually performed the heist, I already knew
what to expect. Confused, I
didn't know whether to feel
cheated, or lucky to receive
twice the value of admission.
Frank Oz may have failed
in his first try at a thriller, but
he shouldn't get discouraged.
Moviegoers are very forgiving.
Frank, don't settle on your favorite .hand-me-down shirt, you
already know how it's going to
feel when you put it on. Take
a chance with a new shirt, one
you alone picked out. Take it
home and wear it.

which also sponsors "La Paz
Tras el Cerco," or "Peace under
Siege," a photography exhibit in
the Library Gallery.
The exhibit, which opened
Sept. 5, is a collection of photographs portraying images of
violence and unrest in Mexico.
According to the creators of
the collection, the Peace and
Justice Service of Cuernavaca,
Mexico, the photos are used to
show how "people react under

siege" and how "Mexican soci- oppression in its country, and
ety organizes to resist militariza- will take the collection on a
United States tour to universities
tion."
The panels illustrate ideas ^ and art galleries, educating the
of peace, while also exploring public about violence and oppresissues such as the construction sion in Mexico. The Fellowship
of political and social violence, of Reconciliation, the U.S. equivand how the Mexican people alent of the Peace and Justice
organize themselves to create Service, is coordinating the tour.
peace, according to the Peace
The photographs will be on
and Justice Service.
display in the Library Gallery's
This Mexican-based organi- third floor until October 3.
zation works to end violence and

(Left) "For the Birds "
by PIXAR Animation Studios,
(Rt.) "Hello, Dolly!" by Mariko Hoshi
(Courtesy Photos/SpikeandMike. com)

Spike and Mike's Sick and
Twisted Festival:
You'll Laugh, You'll Cry, You'll Gag
By JUSTIN ANDREWS
Pride Staff Writer
What happens when you
mix comedy, creativity, and a
heavy dose of stomach-turning
sex and violence? Well, besides
completely satisfying the typical movie-going American audience, you create "Spike and
Mike's Sick and Twisted Festival
of Animation." Why spend eight
bucks to sit through Hollywood's
latest plot-deficient pathetic
excuse for entertainment, when
you can take that same wad of
cash and witness pure (but not
innocent) animated comedy with
the sick and twisted features we
all secretly desire.
"This year wasn't the best,"
said Farrida Castro, who attended the festival. "On a scale from
one to 10, I give it a seven. But
they showed 'Rejected,' one of
my all-time favorites."
When a few handwritten
words appeared on the screen,
you could feel the audiences'
hopeful anticipation as everyone shifted themselves to the
edge of their seats. The words
read: "A bitter cartoon," by Don
Hertzfeldt. People behind me
were giving high-fives as they
knew what was to come; just then
the image on-screen switched
to one sloppy handwritten title:
"Rejected." Half of the audience
jumped out of their chairs,
cheered, hooted, and laughed,
and that was just the title. Feeling
like friends at a bachelor party
when the huge papier-mache
cake is brought out, the other
half of the audience and I knew
we were in for a real treat.
Stick-figure animation, con-

versation bubbles and cheesy
elevator music, cooked together
with a few clever lines of harsh
relationship-ending cliches and
low-tech violence made for about
the most hilarious two minutes
of my life.
"No Neck Joe" was another
crowd-pleaser, this time starring
a young Joe who,, unsurprisingly, has no neck. These 30-second cartoons sporadically placed
throughout the festival have such
titles as "Joe Go.es Star-Gazing"
and "First Hickey." But these are
definitely not why this festival
boasts "Sick and Twisted" in its
name.
The majority of these animations have graphic and disturbing violence, such as heads ripping off, or mutilation by rabid
animals. A nine-minute animation set in a fancy Italian restaurant, involved several characters
shooting vomit into each other's
mouths, while waiters tried to
drain the building by hand so the
puke wouldn't overflow into the
streets - that was disgustingly
hilarious. There was even a sick
and twisted sexual parody of a
typical preschool book, where
audiences can "See Spot Run,"
and "Watch Spot Hump Jane."
In 1977, Craig "Spike"
Decker and Mike Gribble collaborated to promote underground bands including their
own "Sterno &amp; the Flames." To
make ends meet, they occasionally held all-night horror-a-thons,
showed classic rock 'n roll films
like "Jimmy Plays Berkeley" and
"Quadraphenia," and premiered
original short animations like
"Bambi meets Godzilla," which
soon developed into a cult favor-

ite.
Spike and Mike soon realized the potential in this previously untouched entertainment
genre, and embarked on one
of America's greatest forms of
entertainment when they created Spike and Mike's Sick and
Twisted Festival of Animation.
The annual Animation
Festival began in 1990 and is
growing more popular every
year, despite the unfortunate
death of Mike Gribble in 1992.
The festival is not only a great
form of alternative entertainment, but has also spawned
some of America's most famous
animation superstars, such as
Beavis and Butthead. As for
Comedy Central's hit matureaudience cartoon, South Park,
well, that too started at the
Sick and Twisted Animation
Festival. It is home to "Spirit
of Christmas," the original, uncensored South Park cartoon by
Matt Stone and Trey Parker.
If you're one of the thousands that still cry when Bambi's
mom is shot, avoid this festival;
but if Disney's tear-jerking sagas
failed to touch your heart, then
this version is going to smack
your funny bone. The Sick and
Twisted Festival will play in
different parts of San Diego
until Nov. 17. Call Landmark's
Ken Cinema at (619) 283-5909
for show times, contact Ticket
Master, or get all the information, plus other sick and
twisted animations on-line at
www.spikeandmike.com.
Tickets are $6.75 or $8 dollars,
depending on if you remember
to bring your student ID for the
discount.

�Ever since the tragic
events of Tuesday, Sept.
11, our world has
changed. Not only on
the grand scale of military action and how we
view our freedom, but
also on our campus. The
anguish felt around the
nation is felt here, as is
the anxious guessing of
what will happen next.
Those feelings have
sparked a lively debate
in and out of our classrooms. Everyone seems
to have an opinion about
what the United States'
next move should be
- either to bomb the
smithereens out of the
Middle East or to
peacefully do nothing
and avert nuclear war.
Others are blaming
Arab Americans and the
Israeli-Palestinian conflict. Most of those who
speculate in such a
manner do so out of raw

E
D
I

X
O

The Pride

Opinion

6 Tuesday, September 25, 2001

emotion, and, as is the case throughout ment (and lack of it) in the Middle East. them experts in international relations, do
much of history, going to one extreme or It is unwise for those who don't pay atten- not know what to do, then we can be at
tion to assume they know what to do. ease with our own anxious thoughts.
the other will make matters worse.
Right now, only two weeks after the
Free speech is paramount to our life Doing so only adds to the confusion and
attacks, it is okay to not know what should
uncertainty.
on campus, and we do not want to disWhat's more, blaming entire groups happen next. It is okay to step back and
courage anyone from exercising that right.
We only caution against speaking without of people is just plain wrong. Just as allow ourselves to heal before we react. It
thinking the events through. Far too many Irish Americans cannot be blamed for is okay to admit ignorance and wait to see
of us, students and professors alike, tend every car bomb set off by the Irish Repub- what plays out over the next few weeks.
to spout off statements based on nothing lican Army, Arab Americans and Muslims This is an opportunity for all of us to
but our own opinion - steering those that cannot be blamed for the acts of an extrem- learn - to look before we leap and weigh
ist few. What's more, all the options before coming to any sort
listen further away from
of decision, even if that decision is only
the facts.
"The opposite of we ou^ht t0 learn t0
a personal one, geared toward individual
The Pride staff extends
; y Jf
ferentiate between dif- processing and assessment of the situa9
a grateful thanks td those of
talking isn t listen- ferent sects and groups
you who wrote letters and
ing. The opposite of - Hindus and Sikhs are tionThe instructors that spoke at the forum
opinions, shared prayers
. ..
, not Muslims. While t's
ff .
t.alking i.s waiting", despicable thatany citii_ said on Thursday to look at history and its
and poems and responded
— Fran Lebowitz zens of our country have facts to make sense of the situation. Eduto those published by Pride
been subjected to hate- cate yourselves and one another - watch
staff members. Words,
ful or spiteful behavior, it's even more the coverage of these events with a scrumore than ever, have the power to heal, to
astounding that anti-Islamic sentiments tinizing eye and in a slightly skeptical
comfort and to initiate change.
have been directed at those who aren't frame of mind. The statement "knowledge
In times like this, everyone becomes
is power" may never have been truer; find
an expert on foreign policy. But the simple even Muslim.
At Thursday's open forum, we heard it, dig for it, and don't trust the first things
fact remains that most of us do not have
any idea about what should happen next. our professors and leaders tell us that we thrown out by a television monitor or an
The majority of people in this country don't have all the answers - that we can't uninformed mouth. Make it your own, and
never heard of the Taliban before the change everything - and it is reassuring be able to articulate well whatever moral
attacks, and do not understand the long, that even those who guide 4is are con- claim you stand for.
complicated history of the U.S.'s involve- fused. If even our instructors, many of

HA VE AN OPINION?
SUBMIT A LETTER TO THE'EDITORS

TO

PRIDE@CSUSM.EDU

Letters should be submitted via electronic mail to The Pride electronic mail account, rather than the individual editors. Deadline For
submissions is noon the Thursday prior to publication. Letters to the editors should include an address, telephone number, e-mail and
identification. It is The Pride policy to not print anonymous letters. Letters may be edited for, and only for, grammar and length. 300 words
or less preferred. Editors reserve the right not to publish letters. Please contact The Pride if you are interested in writing news articles.

America the What?
By RICHARD SAUNDERS
F o r The

Pride

There is a country that stands tall
and true,
And guess what America that country is you.
Mysterious knowledge of the past
you mask.
I have just a couple of questions to
ask.
Where is Chandra Levy? Is she
alive and well?
That's the wrong question. Is Condit
going to hell?
Gary Condit says that there is an
explanation...
"I didn't do it. Vote for me in the
next election,
I'll put an end to this violence that
is clearly bad,
And get rid of.. .uh.. .end all the
problems you've had."
If his nose gets any longer he'll still
be a toy,
Tell the truth Condit and you'll be
a real boy.
Where is our president? Oh he's
back from vacation?
Oh he went to Texas for some peace
and relaxation.
One question to ask him to get him

The Pride
C o-Editor
C o-Editor .
O pinion E ditor
F eature E ditor
G raduate I ntern
A ssistant E ditor
F WS W orker
A dvisor

M elanie A ddington
V ictoria B . S egall
L isa L ipsey
C laudia I gnacio
A my B olaski
J ames N ewell
V ictor P adilla
M adeleine M arshall

All opinions and letters, to the editor, published
in The Pride, represent the opinions of the author, and
do not necessarily represent the views of The Pride, or
of California State University San Marcos. Unsigned
editorials represent the majority opinion of The Pride
editorial board.
Letters to the editors should include an address,
telephone number, e-mail and identification. Letters may
be edited for grammar and length. Letters should be

on track.
What is Cheney going to do now
that he's back?
Oh it is Bush that is president. Oh
silly old me.
I forgot that he was in charge of our
country.
Well Bush balance the budget the
sooner the better.
Fix the sluggish economy be a gogetter.
How old is the Bronx's little league
pitcher?
He was 14, and too old, who was the
snitcher?
Winning is everything. That's what
you teach.
Maybe do your best is what you
should preach.
If your best isn't good enough then
worry a lot,
Because Condit and Almonte
(pitcher) aren't looking
too hot.
America I love you. Your wisdom is
true.
Look out for me and I'll look out
for you.
i.e. tell me earlier if the monopoly
game was a scam,
and could you tell me the answers to
my mid-term exam.
submitted via electronic mail to The Pride electronic
mail account, rather than the individual editors. It is the
policy of The Pride not to print anonymous letters.
Display and classified advertising in The Pride
should not be construed as the endorsement or investigation of commercial enterprises or ventures. The Pride
reserves the right to reject any advertising.
The Pride is published weekly on Tuesdays during
the academic year. Distribution includes all'of CSUSM
campus, local eateries and other San Marcos community
establishments.

The Pride
C alifornia S tate U niversity S an M arcos
S an M a r c o s , C A
92096-0001
P hone: ( 760) 7 50-60 N 99
F ax: ( 760) 7 50-3345
E -mail: p r i d e @ c s u s m . e d u
http://www.csusmpride.com

Letters: Stop the Terrorism
To stop the flow of money to bin Laden's
organizations is a matter of national security.
How did someone get enough money together
to pay for the attacks on Sept. 11? Throughout
Saudi Arabia, bin Laden has many "charities" to
which wealthy Saudi businessmen contribute millions of dollars. Where is this money coming from?
Oil. OPEC, of which Saudi Arabia is the primary
organizer, is our main source of oil.
Every time you turn on a light switch, cook a
meal, pave an asphalt road, and run your car, you are
putting money into bin Laden's pocket. What can we
do? Stop buying oil from nations like Saudi Arabia.
Saudi Arabia has not spent the money on her people
or land. Our money is not being spent on helping a
country thrive; it's being spent on threatening our
lives.
Who can we call on to change this? Contact
your representatives, senators, and local officials.
We shouldn't have to pay to be terrorized, yet
that is exactly what is going on. (To read the
full essay with supporting references, go to http://
home.earthlinkjiet/~firerock/)
E.A. Jensen
Santa Monica

Correction
During the tragedy of the WTC and Pentagon
terrorist attacks, I made an unfortunate mistake.
I had received a wonderful forward, from many
friends, of a prayer. As a result, like I do with all
forwards, I cut the text from that message and sent
it as a new message to many of my friends.
Seeing as I had also received e-mail from The
Pride, I decided to place that e-mail address on
the list. I had hoped that it would be placed in the
school publication as an e-mail that had been sent
out as a reaction to the terrorist attacks.
However it was published as if I had been the
author of that prayer. I am sorry for the confusion
and wish that I knew who the true author of the
prayer was so that s/he could receive credit.
I thank my family in New York for sending me
the e-mail, and I also thank The Pride for sharing
the e-mail with the rest of the student body and faculty that read The Pride. I feel that the more people
that read this prayer the better; however^ I in no way
mean to take credit away from the true author of the
letter.
Megan Crea

Letters to
the Editors
Praise and Condemn?
In this time of national tragedy and grief that American
citizens everywhere are sharing, I am writing this letter
to you to voice my shame
in The Pride. In the article
"Students Respond Differently
to Tragedy," the authors are
blatantly finger-pointing and
showing an irreverence to fellow student's emotions.
While it may be true that
many students needed silence
for reflection and prayer, it is
also important to consider that
other students deal with their
emotions differently. While
some students were trying to
deal with the sheer shock of
the events that were unfolding,
others were angered and their
anger was finding a cathartic
route through music.
How can the authors praise
some students, and yet, condemn others for the way they
chose to come to grips with
the reality of our situation?
The job of journalists is to
present news in a professional
and unbiased manner to allow
for the reader to come to their
own conclusions. The media is
powerful and has the means to
shape readers views and opinions. Please do not abuse this
power by promoting discord
among our students, especially
in a time that calls for unity,
understanding and the freedom of expression among
Americans.
Tammi Illingworth

Razor Knives
Dear Editors:
Why have I not heard an
outcry from the gun control
nuts blaming razor knives for
air piracy and calling for their
registration/restriction/
confiscation?
Bill Holmes

�The Pride

__

Opinion

Tuesday, September 25, 2001 7

The Critical Thinking Cliche Battle of the Sexes
By JOSEPH SANCHEZ
For The Pride

At first it amused me, but
then the steady bombardment of
it began to upset me. In spite
of all the talk, the implications
were clear: CSUSM only uses
the term "Critical Thinking" as
a cliche. I sat through class after
class, listening to professor after
professor solemnly pontificate
about the importance of critical
thinking, and how that was one
of the central goals of their class,
"I want to help you think critically about these important subjects, etc, etc." Haven't we all
heard this, or is this only the
mantra of the humanities department?
The joke being of course that
we have no philosophy department! We have only two philosophy professors, and one of
them was hired just this year.
As I pondered this humorous
state of affairs, I realized that

there might be more than just
bureaucracy involved. After all,
didn't one of my Lit professors
respond to a claim that he was
contradicting himself with," It's
postmodernism, it doesn't have
to be logical." Now the term
critical thinking does not imply
that an argument need only have
logical coherence, but logic is an
important, possibly foundational, part of it. If postmodernists
have reinvented the wheel (or
questioned its existence), then
why do they keep the term?
Because it empowers them with
the illusion of being real critical
thinkers when in fact they are
just ideological peddlers.
The problem is real. Take
for example the lack of critical
thinking over abortion. The real
issue involved is not the right of a
woman to her own body, nor is it
the moral problem with murder.
Both sides, I think, have basic
agreement in regard to those
issues. The real issue is what

defines a human life? Instead
of engaging each other over this
question each side prefers to ridicule the other. By claiming that
women's rights are at stake, ProChoice thinkers create a false
dichotomy in which they are
the enlightened humanitarians
and Pro-Choicer thinkers are
backwards Neanderthals wishing only to subjugate women.
Similarly, Pro-Choice thinkers
distance others with psychologically devastating claims about
murder and holocaust. Both of
these claims are only potentially
true. They become true if and
only when the unborn fetus is
proven to be either human or
not human. This is where they
should be engaging each other.
This does not necessarily
imply that our society is hopelessly irrational. I simply used
this as a common illustration
that we can all relate to.

Change Payment Plan to Avoid Making
Students Angry and Frustrated
By CONSTANCE CHUA
Pride Staff Writer
The time has arrived and
here we are in a new semester.
Looking forward to meeting new
friends and having a smooth
transition from last semester to
this semester? I hope you had a
nice summef break that will give
you enough energy to fight for
your rights. As a senior here at
California State University San
Marcos, I was very prepared to
register on tiijie to take all my
required classes to graduate. I
registered some time in May of
2001 or June of 2001 and got my
entire schedule set for my school
and work.
When a schedule is set normally it would make a person's
life easier, but not in this case
here at Cal State University San
Marcos.
The reason for that is because
someone suggested to whomever
is in charge with changing our
payment options, that it would be
better if they received funds 10
days after a student registers for
classes.
From a business perspective,
when you buy something you
normally get something out of it,
which is understandable. Which
means, if we register we should
pay our registration fees. However, there should be some kind
of set guideline that is convenient
for students, such as making sure
that if they have a loan, their payment will be deferred, or make
them pay as soon as they attend
classes.
What I mean is that many
student that I have talked to at
the very beginning of the school
semester had to crash all of
their classes due to their classes
being cancelled by the Admissions Office for not paying within

10 days of registration. But for
those of us who are graduating,
it might be difficult to just crash
a class in order to fit our schedules.
On exactly Aug. 21, 2001 2
p.m. in the afternoon, I met with
my close friend, Patrice Labao
here at school to get ahead with
the semester and buy a parking
permit and books. When I came
to the bookstore ready to buy a
book and punch in my Student
ID number along with my code,
the computer screen read, "you
are not registered."

"When a
schedule is
set normally
it would
make a person's life
easier, but
not in this
case here at
CSUSM.'9
I started to panic and hyperventilate. I felt a little mad, to
slightly describe it, blood rushing to my head, and I had a major
migraine. I rushed to the Admissions Office and asked about my
status within this University.
I spoke with a young woman
and she stated, "Well, we dropped
your classes because we did not
receive your payment on time."
I responded, "I have a student
loan here at Cal State and I have
been attending this University a
little over four years and I have

always had a deferred payment."
And she responded, "Why don't
you check with the Financial Aid
Office because it looks like they
needed some information from
you."
I was very frustrated. I felt
like I was betrayed iand neglected.
I stood in line for about 10 minutes until I spoke with a lady
name Hedy. She was a very nice
lady and was very helpful and
told me that she needed more
paperwork from me.
I didn't want to be angry
with her because it was not her
fault that this happened to me.
But as I can recall in the previous
semesters, if the Financial Aid
Office needed some information
from me, then they would mail
me a letter informing me that
they needed additional information. However, they cancelled my
registration as of July 10, 2001
without notifying me.
Not only did it create animosity towards the students and
staff, but also towards students
and Cal State's systematic way
of doing things. Furthermore, as
soon as I got signatures from the
classes that I crashed, the Admissions Office had the audacity to
impose a $25 late registration
fee.
I urge all students who have
or have had the similar situation
as I have to please question our
system. We are talking about
our money here. We all should
carefully examine fees that are
imposed in our registration payment. I suggest that you look at
your printout very carefully and
see how many types of recreational fees they imposed. We,
the students here at California
State University San Marcos can
make a difference, but we all
have to do something about it
now.

This week: Why don't some guys talk
after sex instead of just falling asleep?

Battled by JUSTIN ANDREWS
and KIMBOYARSKI

Justin: Think about what happens when you're "doing it":
frictional sensations pulsating
through thousands of nerves,
and your muscle contracting and
dilating over and over again,
all while an overdose of serotonin flows through your body
like Johnny Raver with a sack
of candy. I don't expect you to
understand, but believe me, after
a long day in the brush, a nap
is more than called for. Plus, we
have to call in the troops before
they can go into battle, and sustaining those troops takes a different kind of flow than Uncle
Sam's wallet.

a pleasant breather since
the estrogen dam gave
way). You girls might
want to notice that your
regular position of just
lying there like Jane Doe
in a coma could possibly
be why you're not getting your intended prescription. If you believe
sex should be so intellectually involved, then get
out of your coma. Besides,
you just saw my "O" face.
The last thing I want to do is
talk a bout... well, what the hell
would you possibly want to talk
about after sex anyway?
Kim: At times, I'm sure that we
all wish that we had one of the

few newbies ... at least there's
the hope of training him, and

you don't have to worry about
what STDs he may be carrying.
I know for a fact that it doesn't
matter how much experience
one has "under his belt." When
he gets too excited — oops it all
comes out, so to speak. Even the
dirtiest of the dirtiest can turn
into a two-pump chump in certain circumstances. Sure, when
Kim: It's just like a guy to use it comes to particular things,
science and big words thinking we can all become" daddy's
that we'll be confused and just little girl," however the beddrop it. It's a pathetic excuse room is definitely not one of
for your laziness. As girls, we those times. We don't expect to
experience the same physical get the "goodies" every time,
sensations as guys, and we do but once in a while would be
the same amount of "work," nice. When you boys are unable
(especially if we're on top), to satisfy us in the slightest
But at least we are able to manner, you should feel gratekeep our eyes open when the fui that we stick around for the
playful activities come to an minute or two that it takes. We
end. Maybe as men you are iet you guys have your kicks,
doing something wrong if your meanwhile we rarely get the
levels of exhaustion are on the physical pleasure that you get
opposite ends of the spectrum, to experience EVERY time. Is
Clearly, if you're so completely it really too much to ask for
worn out, and we're not, then intellectual stimulation or emothe thoughts on the enjoyment of tional reassurance since we get
the activity may be slightly o f f . no physical ones?
Men are always getting tired of
women who try to make them Justin: That doesn't answer the
talk after the excitement is over. question, "what do you have
You might want to consider the to talk about after sex," but if
fact that your enjoyment comes you're that sexually frustrated
a little too quickly and our then go ahead and bitch about it
attempts to converse are simply ... while we pretend to listen.
ways of trying to make-up for
how you're lacking in the Who won? Write us and tell us
bedroom area (or where ever who you think had his/her head
the activities may have taken straight.
-place).

Justin: Sounds like you're
still not over disappointing high school players,
and maybe some of the
newbies here. I'll stick
up for those guys as soon
they learn to tame their
trouser snakes. But for
now, if you have a satisfaction problem, maybe
you should get that "daddy-will-take-care-of-it"
attitude that you all have,
and stop relying on the guy to
be your Knight in Latex armor.
Besides, you girls should try
being on top once a month when
you're pissed at us (which is

Have ideas for the
Battle of the Sexes?
E-mail The Pride at
pride@csusm. edu.

�T HIS SEMESTER
EVERYONE GETS
A FREE R IDE.

Get your first online rental FREE at blockbuster.com:
log on to blockbuster.com/csu
Choose from thousands of movie and game titles
Register online with a credit card
Pick up your rental at the BUCKBHSIEIT of your choice
It's fast easy and there's no extra charge

ItfBfl*1®'
Rent Online now at blockbuster.com*
E nemy a t t he G ates (R]&lt;g&gt;. © 2 0 0 1 P aramount Pictures. All rights r eserved. T h e M exican (Rj&lt;g&gt;. ™ ©Dreamworks L LC a nd Pistolero P roduction, L LC. All rights r eserved. 1 5 M inutes S L ® . © Warner Bros. All rights r eserved.
One (1) free movie (VHS or DVD) or gamerentalwith your first onlinerentalorder at blockbuster.com. Excludes equipment rentals. Membership rules applyforrental.This offer may not be exchangedforcash, sold, or transferred. Not valid with any other discounts or offers. Offer limited to first paid online rental
order only. Freerentalcredit will be automatically applied to highest pricerentalcost in your online order at the Preferred Store upon pickup of online order. Recipientresponsibleforapplicable taxes and extended viewingfees.Offer only valid at BLOCKBUSTER® stores participating in the onlinerentalprogram

�</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </file>
  </fileContainer>
  <collection collectionId="21">
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="280">
                <text>&lt;h2&gt;2001-2002&lt;/h2&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3642">
                <text>University Archives in the CSUSM Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6559">
                <text>The twelfth academic year of California State University San Marcos.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </collection>
  <itemType itemTypeId="20">
    <name>Sort Key PR</name>
    <description/>
    <elementContainer>
      <element elementId="7">
        <name>Original Format</name>
        <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
        <elementTextContainer>
          <elementText elementTextId="3723">
            <text>newspaper 11 x 17</text>
          </elementText>
        </elementTextContainer>
      </element>
      <element elementId="55">
        <name>The Pride</name>
        <description/>
        <elementTextContainer>
          <elementText elementTextId="8289">
            <text>Yes</text>
          </elementText>
        </elementTextContainer>
      </element>
    </elementContainer>
  </itemType>
  <elementSetContainer>
    <elementSet elementSetId="1">
      <name>Dublin Core</name>
      <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
      <elementContainer>
        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
          <elementTextContainer>
            <elementText elementTextId="3711">
              <text>The Pride&#13;
September 25, 2001</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="49">
          <name>Subject</name>
          <description>The topic of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="3712">
              <text>student newspaper</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="41">
          <name>Description</name>
          <description>An account of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="3713">
              <text>Vol. 9, No. 5 of The Pride features articles on the ASI daycare plans, pending threats of a strike by faculty, student response for victims of the 911 terror attacks.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="39">
          <name>Creator</name>
          <description>An entity primarily responsible for making the resource</description>
          <elementTextContainer>
            <elementText elementTextId="3714">
              <text>The Pride</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="48">
          <name>Source</name>
          <description>A related resource from which the described resource is derived</description>
          <elementTextContainer>
            <elementText elementTextId="3715">
              <text>University Archives, California State University San Marcos, Kellogg Library</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="45">
          <name>Publisher</name>
          <description>An entity responsible for making the resource available</description>
          <elementTextContainer>
            <elementText elementTextId="3716">
              <text>University Archives in the CSUSM Library</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="40">
          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="3717">
              <text>2001-09-25</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="37">
          <name>Contributor</name>
          <description>An entity responsible for making contributions to the resource</description>
          <elementTextContainer>
            <elementText elementTextId="3718">
              <text>Lezlie Lee-French, Library Archives Support</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="47">
          <name>Rights</name>
          <description>Information about rights held in and over the resource</description>
          <elementTextContainer>
            <elementText elementTextId="3719">
              <text>The information available on this site, including any text, computer codes, data, artwork, video, audio, images or graphics (collectively the "Material") are protected by copyright and other intellectual property laws. Parties other than California State University San Marcos (”CSUSM”) may own copyright in the Material. We encourage the use of this Material for non-profit and educational purposes only, such as personal research, teaching and private study. For these limited purposes, Material from this web site may be displayed and printed, and all copies must include any copyright notice originally included with the Material. Additionally, a credit line must be included with each item used, citing the article or review author, title or article or review, title of the database, sponsoring agency, date of your access to the electronic file, and the electronic address.  Copyright 2015, California State University San Marcos</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="42">
          <name>Format</name>
          <description>The file format, physical medium, or dimensions of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="3720">
              <text>PDF</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="44">
          <name>Language</name>
          <description>A language of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="3721">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="51">
          <name>Type</name>
          <description>The nature or genre of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="3722">
              <text>Text</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="43">
          <name>Identifier</name>
          <description>An unambiguous reference to the resource within a given context</description>
          <elementTextContainer>
            <elementText elementTextId="8288">
              <text>newspaper 11 x 17</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </elementSet>
  </elementSetContainer>
  <tagContainer>
    <tag tagId="205">
      <name>Associated Students (ASI)</name>
    </tag>
    <tag tagId="356">
      <name>California Faculty Association (CFA)</name>
    </tag>
    <tag tagId="218">
      <name>childcare</name>
    </tag>
    <tag tagId="455">
      <name>fall 2001</name>
    </tag>
    <tag tagId="461">
      <name>strike</name>
    </tag>
    <tag tagId="460">
      <name>terrorism</name>
    </tag>
  </tagContainer>
</item>
